Robert Schumann, Tiffany Poon made "Davidsbündlertänze, Op. 6: No. 17, Wie aus der Ferne" available on February 9, 2024. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 31 out of 32 in Diaries: Schumann by Robert Schumann, Tiffany Poon. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Davidsbündlertänze, Op. 6: No. 17, Wie aus der Ferne is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Davidsbündlertänze, Op. 6: No. 17, Wie aus der Ferne by Robert Schumann, Tiffany Poon is Andante (at a walking pace), since this song has a tempo of 104 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concert Etude After Bach | ARSHA KAVIANI | C Major | 1 | 8B | 131 BPM | ||
Lyric Pieces, Op. 71: No. 7, Efterklang. Tempo di Valse | Edvard Grieg, Rune Alver | F Major | 0 | 7B | 87 BPM | ||
Montagne russe | Ivan Bogoyavlensky, Nadja Naumova | B Minor | 2 | 10A | 135 BPM | ||
Goldberg Variations, BWV 988 (Arr. for 2 Pianos by Joseph Gabriel Rheinberger): Var. 26 | Johann Sebastian Bach, Elena Valentini, Matteo Liva | G Major | 0 | 9B | 118 BPM | ||
On the Overgrown Path / Book 1: No. 6, Words Fail! | Leoš Janáček, Olena Kushpler | E♭ Minor | 0 | 2A | 133 BPM | ||
Kinderszenen, Op. 15: No. 13, Der Dichter spricht | Robert Schumann, Tiffany Poon | C Major | 0 | 8B | 104 BPM | ||
Piano Sonata No. 2 in C-Sharp Minor, Op. 60: I. Allegro ma non troppo | Sergei Bortkiewicz, Diana Chubak | D♭ Minor | 2 | 12A | 71 BPM | ||
Der Sterngucker: Act I: Abgang (Lilly, Franz) | Franz Lehár, Lothar Odinius, Claudia Rohrbach, Hanna Dora Sturludottir, Robert Worle, Markus Kohler, Angelika Bamber, Alexander Broer, German Chamber Academy Neuss, Johannes Goritzki | E Major | 1 | 12B | 135 BPM | ||
Schumann: Liederkreis, Op. 24: No. 2, Es treibt mich hin | Heinrich Heine, Robert Schumann, Ian Bostridge, Julius Drake | F♯ Major | 1 | 2B | 168 BPM | ||
25 Études, Op. 47: No. 15 | Stephen Heller, Luca Rasca | E Minor | 0 | 9A | 68 BPM |