"Verdi: Messa da Requiem: X. Confutatis - Dies irae" by Giuseppe Verdi, Riccardo Muti, Coro Del Teatro Alla Scala Di Milano, Samuel Ramey, Orchestra Del Teatro Alla Scala, Milano was released on January 1, 1987. Verdi: Messa da Requiem: X. Confutatis - Dies irae is about six minutes long, preciously at 5:38, making this song fairly long compared to other songs. This song is part of Verdi: Messa da Requiem by Giuseppe Verdi, Riccardo Muti, Orchestra Del Teatro Alla Scala, Milano. The song's track number on the album is #10 out of 19 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. The popularity of Verdi: Messa da Requiem: X. Confutatis - Dies irae is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Verdi: Messa da Requiem: X. Confutatis - Dies irae by Giuseppe Verdi, Riccardo Muti, Coro Del Teatro Alla Scala Di Milano, Samuel Ramey, Orchestra Del Teatro Alla Scala, Milano has a tempo of 164 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Verdi: Messa da Requiem: X. Confutatis - Dies irae being at 164 テンポ, the half-time would be 82 テンポ with a double-time of 328 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Rosenkavalier, Op. 59, TrV 227 / Act 1: "Di rigori armato il seno" | Richard Strauss, Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | F Major | 3 | 7B | 171 BPM | ||
Pagliacci / Act 1: "Qual fiamma aveva nel guardo!" | Ruggero Leoncavallo, Mirella Freni, National Philharmonic Orchestra, Giuseppe Patanè | D Major | 1 | 10B | 172 BPM | ||
Norma (1997 - Remaster), Act II, Scene 3: Deh! non volerli vittime (Coro/Norma/Pollione/Oroveso) | Vincenzo Bellini, Maria Callas, Franco Corelli, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano, Orchestra Del Teatro Alla Scala Di Milan | A Minor | 3 | 8A | 82 BPM | ||
Carmina Burana / 3. Cour d'amours: "Dies, nox et omnia" | Carl Orff, John Shirley-Quirk, Royal Philharmonic Orchestra, Antal Doráti | D Major | 0 | 10B | 177 BPM | ||
Lucia di Lammermoor / Act 2: "Per te d'immenso giubilo" | Gaetano Donizetti, Ryland Davies, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | B♭ Major | 3 | 6B | 129 BPM | ||
Cavalleria rusticana: Introduzione | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | C Major | 3 | 8B | 166 BPM | ||
La traviata / Act II: "Annina, donde vieni?... O mio rimorso!" | Giuseppe Verdi, Helena Jungwirth, Plácido Domingo, Bavarian State Orchestra, Carlos Kleiber | C Major | 3 | 8B | 105 BPM | ||
Poliuto (1997 Digital Remaster), ATTO SECONDO, Scena prima: Veleno è l'aura ch'io respiro! (Poliuto/Un Christiano) | Gaetano Donizetti, Salvatore Cammarano, Franco Corelli, Virgilio Carbonari, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | E Major | 5 | 12B | 105 BPM | ||
Don Pasquale, Act III Quinta Scena: Aspetta, aspetta, cara sposina (Pasquale/Malatesta) | Gaetano Donizetti, Sesto Bruscantini, Riccardo Muti, Philharmonia Orchestra | F Major | 3 | 7B | 84 BPM | ||
Don Pasquale, Act III Sesta Scena: Tornami a dir che m'ami (Norina/Ernesto) | Gaetano Donizetti, Sesto Bruscantini, Riccardo Muti, Philharmonia Orchestra | A Major | 0 | 11B | 80 BPM |