Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano's 'Cavalleria rusticana: Introduzione' came out on January 1, 1966. The duration of Cavalleria rusticana: Introduzione is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Cavalleria rusticana: Introduzione's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan's "Mascagni: Cavalleria Rusticana" album is number 4 out of 22. On top of that, Germany appears to be the country where this track was created. The popularity of Cavalleria rusticana: Introduzione is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cavalleria rusticana: Introduzione by Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano to be Vivace (lively and fast) because the track has a tempo of 166 テンポ, a half-time of 83テンポ, and a double-time of 332 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puccini: Madama Butterfly, Act 1: "Questa è la cameriera" (Goro, Pinkerton, Suzuki, Sharpless) | Giacomo Puccini, Lucia Danieli/Nicolai Gedda/Mario Borriello/Renato Ercolani/Orchestra del Teatro alla Scala, Milano/Herbert von Karajan, Herbert von Karajan, Lucie Danieli, Mario Borriello, Nicolai Gedda, Orchestra Del Teatro Alla Scala, Milano, Renato Ercolani | C Major | 2 | 8B | 105 BPM | ||
La bohème, SC 67 / Act I: "O soave fanciulla" | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 85 BPM | ||
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 2: The Sacrifice: Mystic Circles of the Young Girls | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | B Minor | 0 | 10A | 89 BPM | ||
Das Rheingold, WWV 86A / Zweite Szene: Einleitung | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 74 BPM | ||
Der Rosenkavalier, Op. 59 / Act 1: Introduction | Richard Strauss, Wiener Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 125 BPM | ||
Symphony No. 8 in F Major, Op. 93: 2. Allegretto scherzando | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 83 BPM | ||
Cavalleria rusticana: "Gli aranci olezzano sui verdi margini" | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | A Major | 1 | 11B | 69 BPM | ||
Pelléas et Mélisande, (Suite), Op. 46: II. Mélisande | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | B♭ Minor | 0 | 3A | 78 BPM | ||
O du mein Österreich | Ferdinand Preis, Berlin Philharmonic Wind Ensemble, Herbert von Karajan | A♭ Major | 2 | 4B | 112 BPM | ||
Pelléas et Mélisande - Incidental Music To Maeterlinck's Play, Op.46 (1905): 9. The Death Of Mélisande | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 72 BPM |