Charivari Agréable made "Bach: In Dir ist Freude" available on 2003. The duration of Bach: In Dir ist Freude is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Bach: In Dir ist Freude's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Charivari Agréable's "Modus Phantasticus" album is number 2 out of 20. On top of that, United States appears to be the country where this track was created. In terms of popularity, Bach: In Dir ist Freude is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Bach: In Dir ist Freude by Charivari Agréable to be Andante (at a walking pace) because the track has a tempo of 91 テンポ, a half-time of 46テンポ, and a double-time of 182 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For Harp In B-Flat Major: III. Allegro Moderato | George Frideric Handel, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Major | 1 | 11B | 181 BPM | ||
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": III. Tempo di Minuetto | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 93 BPM | ||
Concerto Grosso In F Minor, Op. 1, No. 8: IV. Pastorale: Largo Andante (Locatelli) | Pietro Locatelli, Tafelmusik Baroque Orchestra, Jeanne Lamon | E Major | 1 | 12B | 126 BPM | ||
Concerto a violono e viola da gamba in C Minor, GraunWV A:XIII:3: III. Allegro | Johann Gottlieb Graun, Ensemble Baroque De Limoges, Christophe Coin, Gilles Colliard | B Minor | 2 | 10A | 120 BPM | ||
Concerto Grosso No.9 in A minor after "Lessons for the Harpsichord" by Domenico Scarlatti: 1. Largo | Charles Avison, The English Concert, Trevor Pinnock | B Major | 1 | 1B | 143 BPM | ||
Symphony in D Major, J-C 16: I. Alla breve | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 64 BPM | ||
Concerto Grosso No. 3 in D Minor (after D. Scarlatti): IV. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 87 BPM | ||
Concerto No. 3 for Trumpet: I. Allegro ma non troppo | Johann Wilhelm Hertel, Charivari Agréable, Kah-Ming Ng | D♭ Major | 1 | 3B | 139 BPM | ||
Concerto in F Major, Seibel 234: 4. Allegro | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 1 | 12B | 148 BPM | ||
Concerto a cinque No. 6, Op. 7: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | B♭ Minor | 1 | 3A | 87 BPM |