Johann Wilhelm Hertel, Charivari Agréable, Kah-Ming Ng's 'Concerto No. 3 for Trumpet: I. Allegro ma non troppo' came out on March 28, 2011. The duration of Concerto No. 3 for Trumpet: I. Allegro ma non troppo is about 3 minutes long, at 3:22. Based on our data, "Concerto No. 3 for Trumpet: I. Allegro ma non troppo" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 13 out of 21 in Concerti Curiosi by Charivari Agréable, Kah-Ming Ng. Based on our statistics, Concerto No. 3 for Trumpet: I. Allegro ma non troppo's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto No. 3 for Trumpet: I. Allegro ma non troppo by Johann Wilhelm Hertel, Charivari Agréable, Kah-Ming Ng is Allegro (fast, quick, and bright), since this song has a tempo of 139 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata No. 1 in F Major: III. Allegro | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | E Minor | 3 | 9A | 68 BPM | ||
12 Trio Sonate, Op. 3: Sonata No. 9 in re maggiore: II. Allegro Assai | Giuseppe Tartini, Claudio Ferrarini, Accademia Farnese | D Major | 3 | 10B | 123 BPM | ||
Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie | Johann Sebastian Bach, Lóránt Kovács, Mária Frank, Zsuzsa Pertis, Franz Liszt Chamber Orchestra, Frigyes Sándor | B Minor | 2 | 10A | 123 BPM | ||
Concerto No. 1 in D Major, TWV 51:D7: II. Allegro | Georg Philipp Telemann, Matthias Höfs, Deutsche Kammerphilharmonie Bremen | D Major | 3 | 10B | 117 BPM | ||
Concerto a cinque: I. Allegro | Johann Wilhelm Hertel, Concert Royal, Cologne | D♭ Major | 2 | 3B | 94 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): II. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 132 BPM | ||
Concerto in D Major | Johann Friedrich Fasch, Vienna Pro Musica, Vinzenz Hladky, Elfriede Kunschak | D Major | 3 | 10B | 119 BPM | ||
Overture (Suite) In D Major, TWV 55:D15: I. Ouverture: Grave. Allegro. Grave | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 2 | 10B | 114 BPM | ||
Sonata a 7 for 2 Trumpets in D Major: I. Grave | Petronio Franceschini, Niklas Eklund, Jeffrey Segal, Wasa Baroque Ensemble, Edward H. Tarr | E Minor | 1 | 9A | 66 BPM | ||
Brandenburg Concerto No. 2 In F Major, BWV 1047: III. Allegro Assai | Cologne Chamber Orchestra, Johann Sebastian Bach | F Major | 4 | 7B | 112 BPM |