Giuseppe Tartini, Claudio Ferrarini, Accademia Farnese made "12 Trio Sonate, Op. 3: Sonata No. 9 in re maggiore: II. Allegro Assai" available on March 18, 2022. With 12 Trio Sonate, Op. 3: Sonata No. 9 in re maggiore: II. Allegro Assai being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Giuseppe Tartini, Claudio Ferrarini, Accademia Farnese's "Giuseppe Tartini: 6 Sonate Op. 3 & 1 Sonata per flauto traverso e cembalo" album is number 11 out of 18. On top of that, Italy appears to be the country where this track was created. Based on our statistics, 12 Trio Sonate, Op. 3: Sonata No. 9 in re maggiore: II. Allegro Assai's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of 12 Trio Sonate, Op. 3: Sonata No. 9 in re maggiore: II. Allegro Assai by Giuseppe Tartini, Claudio Ferrarini, Accademia Farnese to be Allegro (fast, quick, and bright) because the track has a tempo of 123 テンポ, a half-time of 62テンポ, and a double-time of 246 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto grosso in F, Op. 3, No. 4bis: 3. Largo | George Frideric Handel, English Chamber Orchestra, Raymond Leppard, Leslie Pearson, John Constable | G Minor | 2 | 6A | 83 BPM | ||
Sonata sesta in G Major: II. Con Spirito ma non presto | Mrs Philarmonica, Le Consort | F♯ Major | 3 | 2B | 70 BPM | ||
Telemann: Ouverture-Suite for Recorder and Strings in A Minor, TWV 55:a2: IV. Menuets I & II | Georg Philipp Telemann, Sir Neville Marriner, David Munrow, Academy of St. Martin in the Fields | B♭ Major | 3 | 6B | 105 BPM | ||
Violin Concerto in A Major, Op. 3, No. 8: II. Largo | Carlo Tessarini, Fabrizio Ammetto, Orfeo Ensemble, L' | C Major | 1 | 8B | 176 BPM | ||
Hamburg Symphony No. 5 in B Minor, Wq. 182: II. Larghetto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Feet in the Clouds | Fiona Ubong | F♯ Major | 1 | 2B | 73 BPM | ||
Overture for Flute and Bassoon in G Major: IV. Menuet | Christoph Graupner, Pál Németh, Paolo Tognon, Capella Savaria | F♯ Major | 0 | 2B | 120 BPM | ||
Concerto Grosso in A Major, Op. 6, No. 11, HWV 329: II. Allegro | George Frideric Handel, Gerhart Hetzel, Kurt-Christian Stier, Fritz Kiskalt, Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | A Major | 4 | 11B | 128 BPM | ||
Sinfonia to Il Giardino di Amore: I. Allegro | Alessandro Scarlatti, Reinhold Friedrich, Budapest Strings, Karoly Botvay | D Major | 1 | 10B | 118 BPM | ||
Aria dalla Germania: "Du, du liegst mir im Herzen" Op.22: VIII. Variazione VI Allegretto | Theobald Boehm, Claudio Ferrarini, Accademia Farnese | E Major | 3 | 12B | 145 BPM |