Leo Slezak made "Wenn Ich Vergnügt Bin - From The Film Der Frauendiplomat - 1932" available on February 16, 2011. The duration of Wenn Ich Vergnügt Bin - From The Film Der Frauendiplomat - 1932 is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Wenn Ich Vergnügt Bin - From The Film Der Frauendiplomat - 1932's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Schlager Music from the German Cinema, Vol. 6". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Greece. Wenn Ich Vergnügt Bin - From The Film Der Frauendiplomat - 1932 is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Wenn Ich Vergnügt Bin - From The Film Der Frauendiplomat - 1932 by Leo Slezak having a テンポ of 63 with a half-time of 32 テンポ and a double-time of 126 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les adieux de Marie Stuart, WWV 61 (Arr. Fontanelli for Voice and Ensemble) | Richard Wagner, KammerMusikKöln, Kathrin Zukowski | E♭ Major | 1 | 5B | 69 BPM | ||
Fausto, Act II: Cavatina. Palpita nel seno gelido il cor | Louise Bertin, Karina Gauvin, Les Talens Lyriques, Christophe Rousset | D Major | 4 | 10B | 95 BPM | ||
Gai lon la, gai le rosier (Arr. for Soprano and Chamber Ensemble by Claude Lapalme) | Anonymous, Karina Gauvin, Valérie Milot, Étienne Lafrance, Quatuor Molinari, Pentaèdre, Claude Lapalme | F Major | 2 | 7B | 109 BPM | ||
Die Entführung aus dem Serail, K. 384, Act II: Wenn der Freude Tränen fließen - Remastered 2024 | Wolfgang Amadeus Mozart, Walther Ludwig, Wiener Philharmoniker, Josef Krips | B♭ Major | 1 | 6B | 96 BPM | ||
Manon: Je suis seul (Recorded 1912) | Jules Massenet, Leo Slezak | F Minor | 1 | 4A | 79 BPM | ||
Gute Nacht, Mutter | Wilhelm Strienz, Die Goldene Sieben | B♭ Major | 2 | 6B | 92 BPM | ||
Le nozze di Figaro, K.492, Act III: Duettino. "Canzonetta sull aria" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | ||
La Rosa del Azafrán: Nocturno: "Ronda. Como Soy, Nena Mía" | Jacinto Guerrero, Nicasio Tejada | E Major | 9 | 12B | 89 BPM | ||
Die Entführung aus dem Serail, K. 384, Act I: Konstanze, dich wiederzusehen - O wie ängstlich, o wie feurig - Remastered 2024 | Wolfgang Amadeus Mozart, Walther Ludwig, Peter Klein, Wiener Philharmoniker, Josef Krips | B♭ Major | 1 | 6B | 96 BPM | ||
La Danza, Tarantella napoletana from "Les Soirees musicales" | Gioachino Rossini, Orchestra of the "Deutschlandsender" | A♭ Major | 2 | 4B | 100 BPM |