"Aladdin Op. 34, Fairy Tale Drama in Five Acts, Act IV: No. 22, Aladdin's Dream" by Carl Nielsen, Gennady Rozhdestvensky, Danish National Symphony Orchestra, Guido Paevatalu, Mette Ejsing, Danish National Radio Chamber Choir was released on February 1, 1993. The duration of Aladdin Op. 34, Fairy Tale Drama in Five Acts, Act IV: No. 22, Aladdin's Dream is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Aladdin Op. 34, Fairy Tale Drama in Five Acts, Act IV: No. 22, Aladdin's Dream's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 31 in the song's album "Nielsen: "Aladdin"". In this album, this song's track order is #22. Based on our statistics, Aladdin Op. 34, Fairy Tale Drama in Five Acts, Act IV: No. 22, Aladdin's Dream's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Aladdin Op. 34, Fairy Tale Drama in Five Acts, Act IV: No. 22, Aladdin's Dream by Carl Nielsen, Gennady Rozhdestvensky, Danish National Symphony Orchestra, Guido Paevatalu, Mette Ejsing, Danish National Radio Chamber Choir having a テンポ of 135 with a half-time of 68 テンポ and a double-time of 270 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Songs from the Norwegian: No. 5. Sunset (arr. J. Lloyd Webber for cello and piano) | Frederick Delius, Julian Lloyd Webber, John Lenehan | F♯ Major | 0 | 2B | 69 BPM | ||
Two Eligiac Melodies Last Spring | Academy of St. Martin in the Fields | G Major | 1 | 9B | 88 BPM | ||
Due composizioni corali: I. Il giardino di Afrodite | Ildebrando Pizzetti, Danish National Radio Chamber Choir, Stefan Parkman | C Major | 0 | 8B | 74 BPM | ||
Gurre, Act IV: Af Arv og Gaeld i mange Led | Christian Horneman, Michael Schønwandt, Danish National Symphony Orchestra, Guido Paevatalu | B Major | 1 | 1B | 70 BPM | ||
Violin Concerto in D Minor, MVW O3: III. Allegro | Felix Mendelssohn, Daniel Hope, Kammerorchester Basel | E Major | 2 | 12B | 139 BPM | ||
Concerto for Recorder, Transverse Flute, Strings and Continuo in E Minor: IV. Presto | Georg Philipp Telemann, Martin Fröst, Royal Stockholm Philharmonic Orchestra | D Minor | 3 | 7A | 82 BPM | ||
Kassya: Trepak | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | D Minor | 1 | 7A | 127 BPM | ||
Es war einmal …: Act I Scene 2: Der Himmel ist klar! (First Lady, Princess, Prince, Kaspar) | Alexander von Zemlinsky, Eva Johansson, Kurt Westi, Per-Arne Wahlgren, Aage Haugland, Ole Hedegaard, Guido Paevatalu, Christian Christiansen, Susse Lillesoe, Danish National Radio Symphony Choir, Danish National Radio Symphony Orchestra, Hans Graf | E Major | 2 | 12B | 78 BPM | ||
Wie ein Kind (Like a Child): II. Frühlings-Lied | Per Nørgård, Danish National Radio Chamber Choir, Stefan Parkman, Susse Lillesøe, Marianne Lund, Kim Nanfred, Højby Nielsen, Peter Fog | D♭ Minor | 1 | 12A | 88 BPM | ||
Mere End Én Ting Giver Mig Sorger | Guido Paevatalu, Any Sundstrøm, Hans Nielsen, Poul Høxbro | B♭ Major | 2 | 6B | 73 BPM |