Jean-Baptiste Lully, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe made "Armide: Prologue: Menuets I & II. Chœur :" Que dans le temple de mémoire"" available on 1993. The duration of Armide: Prologue: Menuets I & II. Chœur :" Que dans le temple de mémoire" is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Armide: Prologue: Menuets I & II. Chœur :" Que dans le temple de mémoire"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jean-Baptiste Lully, Philippe Herreweghe, La Chapelle Royale, Collegium Vocale Gent's "Lully: Armide" album is number 7 out of 39. The popularity of Armide: Prologue: Menuets I & II. Chœur :" Que dans le temple de mémoire" is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Armide: Prologue: Menuets I & II. Chœur :" Que dans le temple de mémoire" by Jean-Baptiste Lully, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe to be Vivace (lively and fast) because the track has a tempo of 176 テンポ, a half-time of 88テンポ, and a double-time of 352 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
Flute Sonata in E Minor: II. Allegro assai | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 120 BPM | ||
Symphony in C Major, Op. 1, No. 6, (Callen 6): I. Allegro | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 2 | 9B | 143 BPM | ||
Handel: Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Jupiter, Thomas Dunford | D♭ Minor | 1 | 12A | 76 BPM | ||
Thésée, LWV 51, Acte quatrième Scène 2: "Quel spectacle vient me surprendre" (Églé, Médée) | Jean-Baptiste Lully, Deborah Cachet, Karine Deshayes, Les Talens Lyriques, Christophe Rousset | D♭ Major | 1 | 3B | 79 BPM | ||
Armide, LWV 71, Acte second, scène I: Invincible héros, c'est par votre courage (Renaud, Artémidore) - Live | Jean-Baptiste Lully, Les Talens Lyriques, Antonio Figueroa, Emiliano Gonzalez Toro, Chœur De Chambre De Namur, Christophe Rousset | B♭ Minor | 1 | 3A | 186 BPM | ||
Nisi Dominus aedificaverit domum | Antonio Vivaldi, Lynne McMurtry, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 108 BPM | ||
Pergolesi: Stabat mater: VIII. Fac ut ardeat cor meum | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 3 | 11A | 71 BPM | ||
Armide, LWV 71, Act IV Scene 2: Allons, qui vous retient encore ? (Ubalde, le Chevalier danois) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Virgile Ancely, David Tricou | G Minor | 1 | 6A | 89 BPM | ||
Armide, LWV 71, Act V Final Scene: Le perfide Renaud me fuit (Armide) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Stéphanie D'Oustrac | F Minor | 2 | 4A | 141 BPM |