Munich Philharmonic Orchestra, Sergiu Celibidache's 'Symphony No. 92 in G Major, 'Oxford': Menuetto: Allegro' came out on 1997. Since Symphony No. 92 in G Major, 'Oxford': Menuetto: Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 10 out of 12 in Edition Vol. 1 - Mozart: Symphony No.40 & Haydn: Symphony No.92 by Sergiu Celibidache, Munich Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Symphony No. 92 in G Major, 'Oxford': Menuetto: Allegro is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Symphony No. 92 in G Major, 'Oxford': Menuetto: Allegro by Munich Philharmonic Orchestra, Sergiu Celibidache is Moderato (at a moderate speed), since this song has a tempo of 116 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Wreckers: Overture | Dame Ethel Smyth, Sakari Oramo, BBC Symphony Orchestra | C Major | 8 | 8B | 176 BPM | ||
Cello Sonata in D Minor, Op. 40: II. Allegro | Dmitri Shostakovich, Dmitry Yablonsky, Ekaterina Saranceva | B♭ Minor | 4 | 3A | 0 BPM | ||
Tchaikovsky: Variations on a Rococo Theme, Op. 33: Variation VI - Andante | Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery Gergiev | D Major | 1 | 10B | 117 BPM | ||
Der Rosenkavalier, Op. 59 / Act 1: "Hat Sie schon einmal mit einem Kavalier" | Richard Strauss, Renée Fleming, Sophie Koch, Franz Hawlata, Munich Philharmonic Orchestra, Christian Thielemann | A♭ Major | 3 | 4B | 126 BPM | ||
Concierto No. 2 in G Minor, Op. 8, el verano: II. Adagio - Presto - Adagio | Munich Philharmonic Orchestra, Wilhem Hertz | G Minor | 2 | 6A | 84 BPM | ||
Messe solennelle de Sainte Cecile: Credo | Charles Gounod, Angela Maria Blasi, Christian Elsner, Dietrich Henschel, Munich Motet Choir, Munich Philharmonic Orchestra, Hans Rudolf Zöbeley | C Major | 1 | 8B | 98 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Mahler: Kindertotenlieder: IV. "Oft denk' ich, sie sind nur ausgegangen" | Gustav Mahler, Sergiu Celibidache, Brigitte Fassbaender, Munich Philharmonic Orchestra | G Major | 1 | 9B | 65 BPM | ||
Der Rosenkavalier, Op. 59 / Act 3: "Ist ein Traum, kann nicht wirklich sein" | Richard Strauss, Renée Fleming, Sophie Koch, Munich Philharmonic Orchestra, Christian Thielemann | E Minor | 1 | 9A | 85 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): IV. Danse des garçons | Alexander Borodin, Anima Eterna, Jos Van Immerseel | D Major | 2 | 10B | 104 BPM |