Jean-Baptiste Lully, Collegium Vocale Gent, Noemi Rime, La Chapelle Royale, Philippe Herreweghe, Véronique Gens, Guillemette Laurens's 'Armide: Act I, Scene 1: Ritournelle. Phénice : "Dans un jour de triomphe"' came out on 1993. Armide: Act I, Scene 1: Ritournelle. Phénice : "Dans un jour de triomphe" is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. The track order of this song in Jean-Baptiste Lully, Philippe Herreweghe, La Chapelle Royale, Collegium Vocale Gent's "Lully: Armide" album is number 9 out of 39. In terms of popularity, Armide: Act I, Scene 1: Ritournelle. Phénice : "Dans un jour de triomphe" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Armide: Act I, Scene 1: Ritournelle. Phénice : "Dans un jour de triomphe" by Jean-Baptiste Lully, Collegium Vocale Gent, Noemi Rime, La Chapelle Royale, Philippe Herreweghe, Véronique Gens, Guillemette Laurens to be Andante (at a walking pace) because the track has a tempo of 93 テンポ, a half-time of 46テンポ, and a double-time of 186 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater: 4. Quae moerabat | Giovanni Battista Pergolesi, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | E♭ Major | 1 | 5B | 75 BPM | ||
L'Eraclea: Dopo i nembi e le procelle | Tomaso Albinoni, Simone Kermes, Amici Veneziani | D Minor | 1 | 7A | 137 BPM | ||
Abdelazar Suite, Z. 570: II. Rondeau | Henry Purcell, Camerata Nordica, Terje Tonnesen | A Major | 0 | 11B | 84 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: III. Allegro Assai | Cologne Chamber Orchestra, Robert Hill, Michael Behringer, Johann Sebastian Bach | F Minor | 4 | 4A | 107 BPM | ||
Le Bourgeois Gentilhomme, LWV 43: Chaconne des Scaramouches, Trivelins et Arlequins (1670) | Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations | F Major | 2 | 7B | 64 BPM | ||
Solomon, HWV 67 / Act III: Sinfonia "The Arrival of the Queen of Sheba" | George Frideric Handel, The English Concert, Trevor Pinnock | A Major | 3 | 11B | 118 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Alcidiane: Ouverture | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 1 | 11A | 98 BPM | ||
Trumpet Concerto in D Major, G. 28: I. Allegro | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | A♭ Major | 2 | 4B | 95 BPM | ||
Gloria in D, RV 589: II. Et in terra pax hominibus | Antonio Vivaldi, Choir of King's College, Cambridge, Stephen Cleobury, Academy of Ancient Music | B♭ Minor | 2 | 3A | 130 BPM |