"Strathclyde Motets: Factus est repente" by James MacMillan, Harry Christophers, The Sixteen was released on October 31, 2011. The duration of Strathclyde Motets: Factus est repente is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Strathclyde Motets: Factus est repente's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in James MacMillan, The Sixteen, Harry Christophers's "James MacMillan: Miserere" album is number 4 out of 13. Based on our statistics, Strathclyde Motets: Factus est repente's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Strathclyde Motets: Factus est repente by James MacMillan, Harry Christophers, The Sixteen to be Allegro (fast, quick, and bright) because the track has a tempo of 135 テンポ, a half-time of 68テンポ, and a double-time of 270 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liturgical Chants: 4 Spiritual Songs: Cherubic Song | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 80 BPM | ||
Today the Virgin (Znamenny Chant), Op. 7b | Alexander Dmitriyevich Kastalsky, Conspirare, Craig Hella Johnson | B♭ Major | 2 | 6B | 134 BPM | ||
Requiem canticorum: Introit | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | E♭ Major | 2 | 5B | 122 BPM | ||
Walford Davies: A Short Requiem - De profundis clamavi (Psalm 130) | The Chapel Choir of Pembroke College, Cambridge | D Major | 0 | 10B | 94 BPM | ||
Requiem, Op. 9: Agnus Dei | Maurice Duruflé, Collegium Vocale Seoul | G Major | 2 | 9B | 169 BPM | ||
Veni, Veni, Emanuel: Heartbeats | James MacMillan, Evelyn Glennie, Jukka-Pekka Saraste, Scottish Chamber Orchestra | A Minor | 4 | 8A | 134 BPM | ||
Largire nunc mitissime | Jacob Obrecht, Cappella Mariana, Vojtěch Semerád | C Major | 2 | 8B | 95 BPM | ||
Kenga e Krushqve | James MacMillan, Steven McIntyre | F Major | 0 | 7B | 132 BPM | ||
Awake The Harp | Southwestern Seminary Oratorio Chorus, Fort Worth Chamber Orchestra | D Major | 4 | 10B | 110 BPM | ||
All-night Vigil, Op. 37, "Vespers": Resurrection hymn (Troparion): This day of salvation has com to the world | Sergei Rachmaninoff, Latvian Radio Choir, Sigvards Kļava | G Major | 1 | 9B | 87 BPM |