James MacMillan, Evelyn Glennie, Jukka-Pekka Saraste, Scottish Chamber Orchestra's 'Veni, Veni, Emanuel: Heartbeats' came out on 1993. The duration of Veni, Veni, Emanuel: Heartbeats is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Veni, Veni, Emanuel: Heartbeats's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in James MacMillan, Evelyn Glennie's "James MacMillan: Veni, Veni Emmanuel" album is number 2 out of 19. Based on our statistics, Veni, Veni, Emanuel: Heartbeats's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Veni, Veni, Emanuel: Heartbeats by James MacMillan, Evelyn Glennie, Jukka-Pekka Saraste, Scottish Chamber Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 134 テンポ, a half-time of 67テンポ, and a double-time of 268 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Give us the wings of faith | James Whitbourn, Westminster Williamson Voices, Ken Cowan, James Jordan | A Minor | 2 | 8A | 85 BPM | ||
Walford Davies: A Short Requiem - De profundis clamavi (Psalm 130) | The Chapel Choir of Pembroke College, Cambridge | D Major | 0 | 10B | 94 BPM | ||
Nunc dimittis in G Major | Herbert Sumsion, The Ecclesium Choir, David Leigh, Philip Stopford | E Minor | 1 | 9A | 119 BPM | ||
Kenga e Krushqve | James MacMillan, Steven McIntyre | F Major | 0 | 7B | 132 BPM | ||
Evening Service In G Minor (Z.231): Nunc dimittis | Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford | C Minor | 3 | 5A | 133 BPM | ||
Serenade of the Celestials | LeoRoads | E Major | 1 | 12B | 117 BPM | ||
What are children to the Lord? | Kim André Arnesen, Thomas Berg-Juul, Haderslev Domkirkes Pigekor, Sønderjyllands Symfoniorkester, Kristin Mulders | A♭ Major | 0 | 4B | 102 BPM | ||
Canticles & Prayers, Inexpressible Wonder: No. 3, It Is Worth Eating | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 77 BPM | ||
Data est mihi | James MacMillan, National Youth Choir Of Great Britain, Dominic Ellis-Peckham | C Minor | 1 | 5A | 135 BPM | ||
The Crucifixion: IX. Chorus – God so loved the world | John Stainer, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson | E Major | 2 | 12B | 76 BPM |