"The Lone Cello: The Lone Prairie" by Jayn Rosenfield, Jean Kopperud, Rolf Schulte, Lois Martin, James Winn, Roger Zahab, Eric Moe, David Russell, Janet Kutulas, Peter Josheff, Karen Rosenak, Rachel Rudich, Marcia Butler, Tim Smith was released on April 1, 2002. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Up & At 'Em". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. The Lone Cello: The Lone Prairie is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Lone Cello: The Lone Prairie by Jayn Rosenfield, Jean Kopperud, Rolf Schulte, Lois Martin, James Winn, Roger Zahab, Eric Moe, David Russell, Janet Kutulas, Peter Josheff, Karen Rosenak, Rachel Rudich, Marcia Butler, Tim Smith having a テンポ of 77 with a half-time of 38 テンポ and a double-time of 154 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elégie in C minor Op. 24 - 1995 Remastered Version | Gabriel Fauré, Jacqueline du Pré | A♭ Major | 0 | 4B | 90 BPM | ||
Romanze F Minor: Romanze F Minor | Sergei Rachmaninoff, Reiner Ginzel, Gitti Pirner | F Minor | 0 | 4A | 166 BPM | ||
Hamnöy 1976 V | Christian Lindberg, MIN Ensemble | C Major | 0 | 8B | 70 BPM | ||
String Quartet No. 2 'Intimate Pages': String Quartet No. 2 'Intimate Pages': I. Andante. Con moto. Allegro | Leoš Janáček, Jerusalem Quartet | A♭ Major | 1 | 4B | 79 BPM | ||
Suite for Violin and Piano, Op. 6: II. Moto perpetuo | Benjamin Britten, Isabelle Faust, Alexander Melnikov, Boris Faust | F♯ Major | 1 | 2B | 138 BPM | ||
String Quartet No. 5 in F Minor, Op. 9, B. 37: II. Andante con moto quasi allegretto | Antonín Dvořák, Vlach Quartet Prague | A♭ Major | 1 | 4B | 132 BPM | ||
Dracula Enters | Philip Glass, Kronos Quartet | A Minor | 0 | 8A | 112 BPM | ||
2 Thoughts About the Piano: No. 2. Catenaires | Elliott Carter, Ursula Oppens | F♯ Major | 3 | 2B | 68 BPM | ||
Concerto for 2 Pianos and Orchestra in D minor, FP 61: 1. Allegro ma non troppo | Francis Poulenc, Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | E♭ Major | 1 | 5B | 99 BPM | ||
Concerto for Piano and Orchestra, Op. 42: I. Andante | Arnold Schoenberg, Mitsuko Uchida, Cleveland Orchestra, Pierre Boulez | C Major | 2 | 8B | 180 BPM |