"La Gioconda (1997 - Remaster), Act I: L'ora non giunse" by Amilcare Ponchielli, Maria Callas, Irene Companeez, Piero Cappuccilli, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan was released on 1960. The duration of La Gioconda (1997 - Remaster), Act I: L'ora non giunse is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. La Gioconda (1997 - Remaster), Act I: L'ora non giunse's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 51 in the song's album "Ponchielli La gioconda". In this album, this song's track order is #5. The popularity of La Gioconda (1997 - Remaster), Act I: L'ora non giunse is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Gioconda (1997 - Remaster), Act I: L'ora non giunse by Amilcare Ponchielli, Maria Callas, Irene Companeez, Piero Cappuccilli, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan having a テンポ of 169 with a half-time of 84 テンポ and a double-time of 338 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ponchielli: La Gioconda, Act 1: "Maledici? Sta ben...l'amor t'accieca" (Barnaba, lsèpo, Gioconda) | Amilcare Ponchielli, Maria Callas, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano, Piero Cappuccilli, Renato Ercolani | C Major | 1 | 8B | 109 BPM | ||
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | ||
La vie parisienne, Cancan | Jacques Offenbach, Budapest Strauss Ensemble, Istvan Bogar | G Major | 6 | 9B | 92 BPM | ||
Coppélia / Tableau 1: No. 1 Valse | Léo Delibes, Orchestre de la Suisse Romande, Richard Bonynge | C Minor | 1 | 5A | 75 BPM | ||
Hungarian Dance No. 1 in G Minor: Allegro molto | Johannes Brahms, Staatskapelle Berlin | G Minor | 1 | 6A | 91 BPM | ||
Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King | Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud | G Major | 1 | 9B | 90 BPM | ||
La Gioconda / Act 2: Sia gloria ai canti dei navaganti! | Amilcare Ponchielli, Luciano Pavarotti, Finchley Children's Music Group, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | F Major | 1 | 7B | 79 BPM | ||
Rákóczy March | Arthur Fiedler | A Major | 3 | 11B | 106 BPM | ||
African Suite: V. Akinla: Allegro non troppo | Fela Sowande, Chicago Sinfonietta, Paul Freeman | C Major | 0 | 8B | 130 BPM | ||
Waltz in A flat major, Op.39 No. 15 | Johannes Brahms, Radio Symphony Orchestra | A Major | 1 | 11B | 89 BPM |