On February 4, 2014, the song "Die Fledermaus: Act II: Finale: Im Feuerstrom der Reben (Chorus)" was released by Johann Strauss II, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Friedrich Haider. The duration of Die Fledermaus: Act II: Finale: Im Feuerstrom der Reben (Chorus) is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Die Fledermaus: Act II: Finale: Im Feuerstrom der Reben (Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Strauss: Die Fledermaus". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. Die Fledermaus: Act II: Finale: Im Feuerstrom der Reben (Chorus) is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Die Fledermaus: Act II: Finale: Im Feuerstrom der Reben (Chorus) by Johann Strauss II, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Friedrich Haider having a テンポ of 74 with a half-time of 37 テンポ and a double-time of 148 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Loreley | Clara Schumann, Barbara Bonney, Vladimir Ashkenazy | G Minor | 2 | 6A | 144 BPM | ||
Die Zauberflöte, K. 620 / Act 1: "Zu Hilfe!" | Wolfgang Amadeus Mozart, Klaus Florian Vogt, Johanni van Oostrum, Corinna Scheurle, Claudia Huckle, Jory Vinikour, Chamber Orchestra of Europe, Yannick Nézet-Séguin | E♭ Major | 4 | 5B | 96 BPM | ||
Heut' Nacht hab' ich geträumt von dir | Emmerich Kálmán, Simon Keenlyside, Alfred Eschwe, Tonkünstler-Orchester | E♭ Major | 2 | 5B | 80 BPM | ||
Lehár: Giuditta, Tableau 4: "Meine Lippen, sie küssen so heiss" (Giuditta) | Franz Lehár, Lucia Popp, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 1 | 11B | 79 BPM | ||
Der Musensohn, D.764 (Op.92/1) | Franz Schubert, Jessye Norman, Phillip Moll | B♭ Major | 0 | 6B | 108 BPM | ||
Die erste Walpurgisnacht, Op. 60: Hilf, ach hilf mir, Kriegsgeselle (Tenor, Male Chorus) | Felix Mendelssohn, MDR Leipzig Radio Chorus, Kurt Masur, Leipzig Gewandhaus Orchestra, Eberhard Büchner | F Major | 1 | 7B | 68 BPM | ||
Hoffmanns Erzählungen (Les Contes d'Hoffmann): "Aus dem Keller kommt hervor, Geister des Weines!" | Jacques Offenbach, Orchester der Deutschen Oper Berlin, Richard Kraus, RIAS Kammerchor, Günther Arndt | C Major | 3 | 8B | 120 BPM | ||
Es muss ein Wunderbares sein, S. 314 | Franz Liszt, Jonas Kaufmann, Helmut Deutsch | F♯ Minor | 1 | 11A | 173 BPM | ||
Strauss, Johann II: Die Fledermaus, Act 2: "Mein Herr Marquis" (Adele) | Johann Strauss II, Diana Damrau, David Charles Abell, Karl Huffier, Royal Liverpool Philharmonic Orchestra | G Major | 3 | 9B | 73 BPM | ||
Humperdinck : Hänsel und Gretel : Act 3 "Ich bin Rosine Leckermaul" [The Nibblewitch, Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | D Major | 2 | 10B | 75 BPM |