"Mozart: Ave verum corpus, K. 618" by Wolfgang Amadeus Mozart, Herbert von Karajan, Philharmonia Orchestra, Wiener Singverein was released on 1961. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Herbert von Karajan, Berliner Philharmoniker's "Mozart: Serenade No. 13, Ave verum corpus, German Dances - Handel: Water Music" album is number 5 out of 14. Mozart: Ave verum corpus, K. 618 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Ave verum corpus, K. 618 by Wolfgang Amadeus Mozart, Herbert von Karajan, Philharmonia Orchestra, Wiener Singverein to be Adagio (slowly with great expression) because the track has a tempo of 74 テンポ, a half-time of 37テンポ, and a double-time of 148 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ein deutsches Requiem, Op.45: 4. Chor: "Wie lieblich sind deine Wohnungen, Herr Zebaoth!" | Johannes Brahms, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein | E♭ Major | 1 | 5B | 130 BPM | ||
Die lustige Witwe (The Merry Widow) (2000 - Remaster): XIV. Lippen schweigen (Danilo/Hanna) | Franz Lehár, Eberhard Waechter/Elisabeth Schwarzkopf/Philharmonia Orchestra/Lovro von Matacic, Eberhard Waechter, Lovro Von Matacic, Philharmonia Orchestra | G Major | 1 | 9B | 85 BPM | ||
Franck / Arr. Sandré: Mass, Op. 12, FWV 61: Panis Angelicus | César Franck, Halle Choir, Hallé, Maurice Handford | A Major | 1 | 11B | 85 BPM | ||
Violin Concerto in D Major, Op. 61: II. Larghetto | Ludwig van Beethoven, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 104 BPM | ||
Sull' Aria | Wolfgang Amadeus Mozart, IZZY, Ernö Olah, National Radio Orchestra of The Netherlands | A♭ Major | 2 | 4B | 112 BPM | ||
Handel: Serse, HWV 40, Act 1, Scene 1: Arioso. "Ombra mai fù" (Serse) | George Frideric Handel, Jennifer Larmore, Jesús López-Cobos, Orchestre de Chambre de Lausanne | A♭ Major | 0 | 4B | 181 BPM | ||
Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Barcarolle) [Nicklausse, Giulietta, Chorus] | Jacques Offenbach, Sylvain Cambreling, Ann Murray, Jessye Norman, Orchestre De L'Opéra National Du Théatre Royal De La Monnaie, Bruxelles | D Major | 1 | 10B | 81 BPM | ||
6 Hungarian Rhapsodies, S.359: No.5 In E Minor (No. 5 In Piano Version) | Franz Liszt, Ottomar Borwitzky, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 78 BPM | ||
Piano Quartet No. 1 in G Minor, K. 478: II. Andante | Wolfgang Amadeus Mozart, Emanuel Ax, Isaac Stern, Jaime Laredo, Yo-Yo Ma | B♭ Major | 0 | 6B | 67 BPM | ||
"Lobgesang" in B Flat Major, Op. 52, MWV A18: "Alles, was Odem hat" | Felix Mendelssohn, GewandhausChor, Chor der Oper Leipzig, Gewandhausorchester, Riccardo Chailly | A Major | 5 | 11B | 73 BPM |