"Franck / Arr. Sandré: Mass, Op. 12, FWV 61: Panis Angelicus" by César Franck, Halle Choir, Hallé, Maurice Handford was released on March 4, 2002. With this song being about 5 minutes long, at 4:54, "Franck / Arr. Sandré: Mass, Op. 12, FWV 61: Panis Angelicus" by César Franck, Halle Choir, Hallé, Maurice Handford is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 27 in the song's album "Orff Carmina Burana". In this album, this song's track order is #27. Furthermore, we believe that the track originated from United Kingdom. Franck / Arr. Sandré: Mass, Op. 12, FWV 61: Panis Angelicus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Franck / Arr. Sandré: Mass, Op. 12, FWV 61: Panis Angelicus by César Franck, Halle Choir, Hallé, Maurice Handford having a テンポ of 85 with a half-time of 42 テンポ and a double-time of 170 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Poème de Paul Verlaine: L'heure exquise | Reynaldo Hahn, Marie-Nicole Lemieux | B Major | 0 | 1B | 94 BPM | ||
Morgen! Op. 27, No. 4 | Richard Strauss, Joshua Bell, Michael Stern | G Major | 1 | 9B | 93 BPM | ||
Otello: Ave Maria (Atto IV) | Montserrat Caballé, Royal Philharmonic Orchestra, Anton Guadagno, Elizabeth Bainbridge | A♭ Major | 0 | 4B | 88 BPM | ||
Franck: Symphony in D Minor, FWV 48: II. Allegretto | César Franck, Paavo Berglund, Bournemouth Symphony Orchestra | D♭ Major | 3 | 3B | 91 BPM | ||
Pur Ti Miro | Claudio Monteverdi, Craig Leon, Natasha Marsh, Fernando Lima, London Symphony Orchestra | A♭ Major | 1 | 4B | 83 BPM | ||
J. Strauss II: Voices of Spring, Op. 410 | Johann Strauss II, Hallé, Bryden Thomson | B♭ Major | 0 | 6B | 103 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Marie-Claire Alain | B Minor | 0 | 10A | 71 BPM | ||
Os justi | Anton Bruckner, Voces8 | C Major | 0 | 8B | 138 BPM | ||
Symphony No. 3 - 'Pastoral Symphony': IV. Lento – Moderato maestoso | Ralph Vaughan Williams, Sarah Fox, Sir Mark Elder, Hallé | F Major | 0 | 7B | 67 BPM | ||
Schubert: Deutsche Messe, D. 872: No. 1, Zum Eingang | Franz Schubert, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch, Elmar Schloter | E Minor | 0 | 9A | 124 BPM |