"Schubert: Deutsche Messe, D. 872: No. 1, Zum Eingang" by Franz Schubert, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch, Elmar Schloter was released on 1986. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 19 in the song's album "Schubert: Deutsche Messe". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Schubert: Deutsche Messe, D. 872: No. 1, Zum Eingang's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schubert: Deutsche Messe, D. 872: No. 1, Zum Eingang by Franz Schubert, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch, Elmar Schloter having a テンポ of 124 with a half-time of 62 テンポ and a double-time of 248 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Madama Butterfly / Act 2: Coro a bocca chiusa (Humming Chorus) | Giacomo Puccini, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 78 BPM | ||
Die Schopfung (The Creation), Hob.XXI:2: Part I: Nun schwanden vor dem heiligen Strahle (Now vanish before the holy beams) (Uriel, Chorus) | Joseph Haydn, Bavarian Radio Symphony Orchestra, Bavarian Radio Chorus, Mark Padmore, Bernard Haitink | A Major | 1 | 11B | 83 BPM | ||
Stabat Mater dolorosa | Josquin des Prez, La Chapelle Royale, Philippe Herreweghe | G Major | 1 | 9B | 138 BPM | ||
Wiegenlied (Lullaby), Op. 98, No. 2, D. 498 (arr. for violin and piano) | Anonymous, Franz Schubert, Takako Nishizaki, Terence Dennis | G Major | 1 | 9B | 81 BPM | ||
Gloria: Cum Sancto Spiritu | Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 3 | 3B | 121 BPM | ||
Lohengrin: Act III Scene 1: Treulich gefuhrt, ziehet dahin (Wedding March) (Chorus) | Richard Wagner, Kwangchul Youn, Johan Botha, Adrianne Pieczonka, Falk Struckmann, Petra Lang, Eike Wilm-Schulte, Prague Chamber Chorus, North German Radio Chorus, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Semyon Bychkov | B♭ Major | 0 | 6B | 99 BPM | ||
Zigeunermelodien, Op. 55, B. 104: Zigeunermelodien (Gypsy Melodies), Op. 55: No. 4, Songs my Mother taught me [Sung in German] | Antonín Dvořák, Yoshikazu Mera, Japan Philharmonic Orchestra, Shigeo Genda | B♭ Major | 1 | 6B | 111 BPM | ||
Die tote Stadt: "Glück, das mir verblieb" | Erich Wolfgang Korngold, Jonas Kaufmann, Jochen Rieder, Berlin Radio Symphony Orchestra | B♭ Major | 1 | 6B | 171 BPM | ||
Dvořák: Symphonic Variations in C Major, Op. 78, B. 70: Variations III & IV | Antonín Dvořák, Wolfgang Sawallisch, Philadelphia Orchestra | D Major | 2 | 10B | 108 BPM | ||
Moment Musical in F Minor, Op. 94, No. 3, D. 780 (arr. for chamber ensemble) | Anonymous , Franz Schubert, Budapest Strings, Bela Banfalvi | F Minor | 0 | 4A | 101 BPM |