"Dvořák: Symphonic Variations in C Major, Op. 78, B. 70: Variations III & IV" by Antonín Dvořák, Wolfgang Sawallisch, Philadelphia Orchestra was released on August 4, 2023. With Dvořák: Symphonic Variations in C Major, Op. 78, B. 70: Variations III & IV being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 4 out of 28 in Dvořák: Cello Concerto, Symphonic Variations & Symphony No. 7 by Antonín Dvořák, Wolfgang Sawallisch, Philadelphia Orchestra, Natalia Gutman. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Dvořák: Symphonic Variations in C Major, Op. 78, B. 70: Variations III & IV is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dvořák: Symphonic Variations in C Major, Op. 78, B. 70: Variations III & IV by Antonín Dvořák, Wolfgang Sawallisch, Philadelphia Orchestra is Andante (at a walking pace), since this song has a tempo of 108 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variation 6: Sostenuto (quasi adagietto) | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | D Major | 1 | 10B | 74 BPM | ||
Variations on an Original Theme, Op. 36, "Enigma": Var. XIII (***): Romanza | Edward Elgar, Bournemouth Symphony Orchestra, George Hurst | C Minor | 2 | 5A | 107 BPM | ||
Hungarian Dance No. 13 in D - Orchestrated by Albert Parlow (?-1888) | Johannes Brahms, Royal Philharmonic Orchestra, Walter Weller | F Major | 1 | 7B | 83 BPM | ||
Tristan und Isolde, WWV 90: VI, Brangänes Verzweiflung - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | B Major | 2 | 1B | 85 BPM | ||
Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: II. The Young Juliet | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | C Major | 2 | 8B | 72 BPM | ||
Symphony No. 3 in D Minor, WAB 103 "Wagner" (1877 Version, Ed. L. Nowak): III. Scherzo. Ziemlich schnell | Anton Bruckner, ORF Vienna Radio Symphony Orchestra, Markus Poschner | G Major | 2 | 9B | 77 BPM | ||
Concerto Grosso: II. Serenata | Maya Badian, Cristian Balea, Ilie Dornescu, Romanian National Orchestra, Ludovic Bacs | A Major | 1 | 11B | 119 BPM | ||
Symphony No. 3 in C Minor: II. Andante ma non troppo | Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin | A♭ Major | 0 | 4B | 88 BPM | ||
Variations on a Theme by Haydn, Op.56: Orchestra Setting, Op.56a: 9. Variation 8. Presto non troppo | Wilhelm Furtwängler | B♭ Major | 1 | 6B | 88 BPM | ||
Symphony No. 2 in C minor, Op. 29: I. Andante | Alexander Scriabin, Brussels Philharmonic, Kazushi Ono | A♭ Major | 1 | 4B | 80 BPM |