Wilhelm Furtwängler made "Variations on a Theme by Haydn, Op.56: Orchestra Setting, Op.56a: 9. Variation 8. Presto non troppo" available on 1949. With Variations on a Theme by Haydn, Op.56: Orchestra Setting, Op.56a: 9. Variation 8. Presto non troppo being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 10 in Brahms: Variations on a Theme by Haydn, Op.56 by Wilhelm Furtwängler. Variations on a Theme by Haydn, Op.56: Orchestra Setting, Op.56a: 9. Variation 8. Presto non troppo is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Variations on a Theme by Haydn, Op.56: Orchestra Setting, Op.56a: 9. Variation 8. Presto non troppo by Wilhelm Furtwängler is Andante (at a walking pace), since this song has a tempo of 88 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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The New Four Seasons - Winter: I. Freezing and Shivering (After Violin Concerto No. 4, Op. 8, RV 297, I. Allegro non molto, Arr. by Wolf Kerschek) | Antonio Vivaldi, Niklas Liepe, WDR Funkhausorchester, Patrick Lange | B♭ Major | 1 | 6B | 80 BPM | ||
Serenade for Clarinet Quartet in B Major, Op. 4: I. Moderato | Ernst Krenek, Kilian Herold, Florian Donderer, Barbara Buntrock, Tanja Tetzlaff | C Major | 0 | 8B | 60 BPM | ||
Wagner: Das Rheingold, Scene 2: "Um des Gatten Treue besorgt" (Fricka, Wotan) | Richard Wagner, Wilhelm Furtwängler, Ferdinand Frantz, Ira Malaniuk, Orchestra Sinfonica di Roma della RAI | E Major | 1 | 12B | 103 BPM | ||
Die Walkure: Act I: Prelude | Richard Wagner, Hilde Konetzni, Günther Treptow, Otto Von Rohr, Rome Radio Symphony Orchestra, Wilhelm Furtwängler | C Major | 5 | 8B | 172 BPM | ||
Symphony No. 9 in D Minor, WAB 109 (Original Version): II. Scherzo. Bewegt, lebhaft | Anton Bruckner, Gürzenich Orchester Köln, François-Xavier Roth | C Major | 0 | 8B | 87 BPM | ||
Don Quixote, Op. 35, TrV 184: Maggiore | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | E Major | 0 | 12B | 169 BPM | ||
The Tempest: Suite No. 2, Op. 109: VII. The Naiads | Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari | C Major | 1 | 8B | 70 BPM | ||
Sinfonia Domestica, Op.53, IRS 93: III. Adagio | Richard Strauss, Berliner Philharmoniker, Wilhelm Furtwängler | B♭ Major | 1 | 6B | 84 BPM | ||
Prokofiev: Symphony No. 7 in C-Sharp Minor, Op. 131: I. Moderato | Sergei Prokofiev, Mstislav Rostropovich, Orchestre National De France | A♭ Minor | 2 | 1A | 70 BPM | ||
Concerto Grosso in D Minor, Op. 6 No. 10, HWV 328: IV. Allegro | George Frideric Handel, Berliner Philharmoniker, Wilhelm Furtwängler | G Minor | 2 | 6A | 129 BPM |