"Lyric Pieces Book 5, Op. 54: No. 3, March of the Trolls" by Edvard Grieg, Stephen Hough was released on May 3, 2015. The duration of Lyric Pieces Book 5, Op. 54: No. 3, March of the Trolls is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Lyric Pieces Book 5, Op. 54: No. 3, March of the Trolls's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Edvard Grieg, Stephen Hough's "Grieg: Lyric Pieces" album is number 13 out of 27. On top of that, United Kingdom appears to be the country where this track was created. Lyric Pieces Book 5, Op. 54: No. 3, March of the Trolls is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lyric Pieces Book 5, Op. 54: No. 3, March of the Trolls by Edvard Grieg, Stephen Hough to be Lento (slowly) because the track has a tempo of 58 テンポ, a half-time of 29テンポ, and a double-time of 116 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 2 | Carl Maria von Weber, Michael Endres | C Major | 1 | 8B | 95 BPM | ||
La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Mazurka in C Major | Mikhail Glinka, Inga Fiolia | A Minor | 0 | 8A | 69 BPM | ||
Peer Gynt Suite No.2, Op.55: 4. Solveig's Song | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | A Minor | 0 | 8A | 80 BPM | ||
Die schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der Bach | Franz Schubert, Mischa Maisky, Daria Hovora | G Major | 0 | 9B | 96 BPM | ||
Solfeggio in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Matthias Veit | F Minor | 1 | 4A | 77 BPM | ||
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | ||
Cantabile in B-Flat Major | Frédéric Chopin, Idil Biret | B♭ Major | 0 | 6B | 69 BPM | ||
Ravel: Pavane pour une infante défunte, M. 19 | Maurice Ravel, Monique Haas | E Minor | 0 | 9A | 101 BPM |