"Requiem for Cello Alone: I. Introit" by Peter Sculthorpe, Pieter Wispelwey was released on January 1, 1995. The duration of Requiem for Cello Alone: I. Introit is about 3 minutes long, at 3:25. Based on our data, "Requiem for Cello Alone: I. Introit" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Pieter Wispelwey's "Hindemith, Sessions & Ligeti" album is number 3 out of 20. On top of that, Netherlands appears to be the country where this track was created. Based on our statistics, Requiem for Cello Alone: I. Introit's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem for Cello Alone: I. Introit by Peter Sculthorpe, Pieter Wispelwey to be Allegro (fast, quick, and bright) because the track has a tempo of 142 テンポ, a half-time of 71テンポ, and a double-time of 284 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bruyères - Home Session | Claude Debussy, Víkingur Ólafsson | A♭ Major | 0 | 4B | 64 BPM | ||
Port Essington: V. Arietta: Farewell (Con desiderio pieno di malinconia) | Peter Sculthorpe, Cameron Retchford, Helena Rathbone, Richard Tognetti, Australian Chamber Orchestra | E Major | 1 | 12B | 79 BPM | ||
Ave María (Arr. Víkingur Ólafsson) - Upright Piano | Sigvaldi Kaldalóns, Víkingur Ólafsson | E♭ Major | 0 | 5B | 101 BPM | ||
Aria, Op. 9 | Mieczysław Weinberg, Deutsche Kammerphilharmonie Bremen, Mirga Gražinytė-Tyla | B♭ Major | 1 | 6B | 103 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Elégie in C Minor, Op. 24 (Arr. Parkin) | Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max | A♭ Major | 0 | 4B | 88 BPM | ||
My Country Childhood: 3. A Village Funeral | Peter Sculthorpe, Adelaide Symphony Orchestra, James Judd | D Major | 1 | 10B | 83 BPM | ||
wind whispers, Op. 85: II. floating leaf | Konstantia Gourzi, William Youn | F Major | 0 | 7B | 69 BPM | ||
Piano Sonata in C Major, WoO 51: II. Adagio | Ludwig van Beethoven, See Siang Wong | B♭ Major | 0 | 6B | 80 BPM | ||
Franck: Prélude, Fugue et Variation, Op. 18, CFF 30B (transcr. H. Bauer) – IV. Variation: Andantino | César Franck, Mariam Batsashvili | D Major | 1 | 10B | 126 BPM |