"Port Essington: V. Arietta: Farewell (Con desiderio pieno di malinconia)" by Peter Sculthorpe, Cameron Retchford, Helena Rathbone, Richard Tognetti, Australian Chamber Orchestra was released on 1996. The duration of Port Essington: V. Arietta: Farewell (Con desiderio pieno di malinconia) is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Port Essington: V. Arietta: Farewell (Con desiderio pieno di malinconia)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Sculthorpe: Port Essington / 3 Sonatas for Strings / Lament / Irkanda IV". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Australia. Port Essington: V. Arietta: Farewell (Con desiderio pieno di malinconia) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Port Essington: V. Arietta: Farewell (Con desiderio pieno di malinconia) by Peter Sculthorpe, Cameron Retchford, Helena Rathbone, Richard Tognetti, Australian Chamber Orchestra having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Djilile (arr. S. Wingfield for guitar) | Stephen Wingfield, Peter Sculthorpe, Aleksandr Tsiboulski | G Minor | 0 | 6A | 93 BPM | ||
An Idea | Leo Brouwer, Zsófia Boros | E Minor | 0 | 9A | 71 BPM | ||
Famous Blue Raincoat (Arr. Metcalfe, Foster) | Miloš Karadaglić, 12 Ensemble, Katherine Tinker | A Minor | 1 | 8A | 76 BPM | ||
Rust And Gold | Peter Pritchard | E♭ Minor | 0 | 2A | 85 BPM | ||
25 Ètudes Faciles Et Progressives, Op. 100: VII. Courant Limpide | Franz Burgmüller, Benedikt David | D Major | 1 | 10B | 134 BPM | ||
3 Pieces in Old Style: No. 1. Aria | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | G Minor | 0 | 6A | 85 BPM | ||
12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM | ||
Préludes / Book 1, L. 117: No. 8, The Girl with the Flaxen Hair | Claude Debussy, Ruth Slenczynska | F♯ Major | 0 | 2B | 71 BPM | ||
Dreaming, Op. 15 No. 3 | Amy Beach, Ambache | F Major | 0 | 7B | 75 BPM | ||
Adagio in G Minor (Arr. for Harp and Orchestra) | Tomaso Albinoni, Remo Giazotto, Stefan Klieme, Xavier De Maistre, L'Arte del mondo | C Minor | 1 | 5A | 175 BPM |