"Turandot / Act 2: Straniero, ascolta" by Giacomo Puccini, Dame Joan Sutherland, Luciano Pavarotti, Sir Peter Pears, Montserrat Caballé, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta was released on September 1, 1973. Since Turandot / Act 2: Straniero, ascolta is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 28 in the song's album "Puccini: Turandot". In this album, this song's track order is #2. Turandot / Act 2: Straniero, ascolta is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Turandot / Act 2: Straniero, ascolta by Giacomo Puccini, Dame Joan Sutherland, Luciano Pavarotti, Sir Peter Pears, Montserrat Caballé, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta having a テンポ of 78 with a half-time of 39 テンポ and a double-time of 156 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Un ballo in maschera / Act 3: "Forse la soglia attinse" | Giuseppe Verdi, Luciano Pavarotti, National Philharmonic Orchestra, Sir Georg Solti | A♭ Major | 1 | 4B | 90 BPM | ||
Verdi: Aida, Act 1: "Alta cagion v'aduna" (Il Re, Messaggero, Radamès, Ramfis, Sacerdoti, Ministri, Capitani, Aida, Amneris) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | C Major | 3 | 8B | 88 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM | ||
Le nozze di Figaro, K.492 / Act 2: "Porgi amor" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti | E♭ Major | 0 | 5B | 100 BPM | ||
La fille du régiment / Act 1: Sacré nom d'une pipe! | Gaetano Donizetti, Spiro Malas, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 2 | 9B | 62 BPM | ||
La Gioconda / Act 2: "Cielo e mar!" | Amilcare Ponchielli, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | E♭ Major | 2 | 5B | 84 BPM | ||
Leoncavallo: I pagliacci, Act 1: "Vesti la giubba" (Live) | Ruggero Leoncavallo, Plácido Domingo, Zubin Mehta, Los Angeles Philharmonic | E Minor | 4 | 9A | 90 BPM | ||
Così fan tutte, K. 588 / Act 1: "Un'aura amorosa" | Wolfgang Amadeus Mozart, Luciano Pavarotti, Sir John Pritchard, Wiener Philharmoniker | E Major | 2 | 12B | 124 BPM | ||
L'Arlesiana: È la solita storia del pastore | Francesco Cilea, Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong | C Major | 0 | 8B | 84 BPM | ||
Vasco da Gama: La Marguerite a fermé sa corolle...Ouvre ton coeur | Georges Bizet, Dame Joan Sutherland, L'Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 130 BPM |