Jacques Offenbach, Michel Plasson, André Batisse, Jean Christophe Benoit, Luis Masson, Michel Sénéchal, Régine Crespin, Orchestre Du Capitole De Toulouse's 'Offenbach: La vie parisienne, Act 2: Dialogue. "Et qu'est-ce que c'est que ce baron de Gondremarck ?" - Couplets. "Pour découper adroitement" (Métella, Gardefeu, Le Baron, Alphonse, Frick)' came out on September 15, 2023. The duration of Offenbach: La vie parisienne, Act 2: Dialogue. "Et qu'est-ce que c'est que ce baron de Gondremarck ?" - Couplets. "Pour découper adroitement" (Métella, Gardefeu, Le Baron, Alphonse, Frick) is about 3 minutes long, at 3:12. Based on our data, "Offenbach: La vie parisienne, Act 2: Dialogue. "Et qu'est-ce que c'est que ce baron de Gondremarck ?" - Couplets. "Pour découper adroitement" (Métella, Gardefeu, Le Baron, Alphonse, Frick)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 22 in the song's album "Offenbach: La vie parisienne". In this album, this song's track order is #10. Furthermore, we believe that the track originated from France. In terms of popularity, Offenbach: La vie parisienne, Act 2: Dialogue. "Et qu'est-ce que c'est que ce baron de Gondremarck ?" - Couplets. "Pour découper adroitement" (Métella, Gardefeu, Le Baron, Alphonse, Frick) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Offenbach: La vie parisienne, Act 2: Dialogue. "Et qu'est-ce que c'est que ce baron de Gondremarck ?" - Couplets. "Pour découper adroitement" (Métella, Gardefeu, Le Baron, Alphonse, Frick) by Jacques Offenbach, Michel Plasson, André Batisse, Jean Christophe Benoit, Luis Masson, Michel Sénéchal, Régine Crespin, Orchestre Du Capitole De Toulouse having a テンポ of 94 with a half-time of 47 テンポ and a double-time of 188 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peter and the Wolf, Op. 67 (Without Narration): Peter in the meadow | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | E♭ Major | 0 | 5B | 115 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio France | D Major | 1 | 10B | 101 BPM | ||
Op. 66 - Panorama - Remastered 2024 | Tchaïkovsky, Bavarian Symphony Orchestra | D Major | 4 | 10B | 91 BPM | ||
Cavalleria Rusticana: Intermezzo | Pietro Mascagni, Czech Symphony Orchestra, Michaela Rózsa Růžičková | B♭ Major | 2 | 6B | 134 BPM | ||
Sylvia: Act I: Valse lente | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | A♭ Major | 0 | 4B | 111 BPM | ||
Soirees musicales, Op. 9: I. March | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | B♭ Major | 1 | 6B | 124 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
16 Waltzes, Op. 39 (arr. for orchestra): 16 Waltzes, Op. 39: No. 15. in A flat major (arr. for orchestra) | Various Artists | F Major | 0 | 7B | 65 BPM | ||
The Moldau (From Má Vlast), JB 1:112 - Version 1960 | Bedřich Smetana, Berliner Philharmoniker, Ferenc Fricsay | E Minor | 2 | 9A | 85 BPM |