Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov, Anna Ignatova's ' "Pinocchio: XIII. La bаrса di Geppetto sulle onde" was released on its scheduled release date, August 25, 2023. The duration of This song is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Pinocchio: XIII. La bаrса di Geppetto sulle onde's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Pinocchio (Suite per Orchestra d'Archi e Mandolino)". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Italy. Based on our statistics, Pinocchio: XIII. La bаrса di Geppetto sulle onde's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Pinocchio: XIII. La bаrса di Geppetto sulle onde by Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov, Anna Ignatova having a テンポ of 158 with a half-time of 79 テンポ and a double-time of 316 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with running. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Moonlight Lullaby (Piano and Orchestra) | Duncan Moss | F Minor | 1 | 4A | 135 BPM | ||
Bizet: Petite suite from "Jeux d'enfants", Op. 22, WD 39: IV. Duo "Petit mari, petite femme" | Georges Bizet, Seiji Ozawa, Orchestre National De France | B♭ Major | 0 | 6B | 117 BPM | ||
Elegy (In Memoriam Stephen Lawrence) | Philip Herbert, Chineke! Orchestra, Anthony Parnther | C Major | 0 | 8B | 100 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Étude No. 3: Ballade | Marie Awadis | B Major | 0 | 1B | 94 BPM | ||
Raymonda, Act III: Variation 4 | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D Minor | 1 | 7A | 103 BPM | ||
String Quartet No. 2 in D Major: IV. Finale: Andante - vivace | Alexander Borodin, Streichquartett Luzern, Gunars Larsen, Roger Pyne, Howard Griffiths, Curdin Coray | D Major | 2 | 10B | 114 BPM | ||
Melody, Op. 21, No. 9 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | B♭ Major | 1 | 6B | 79 BPM | ||
Variations on a Theme by Tchaikovsky, Op. 35a: Var. VI. Allegro con spirito | Anton Arensky, Metamorphose String Orchestra, Pavel Lyubomudrov | E Minor | 5 | 9A | 111 BPM | ||
The Moon on the Ruined Castle (Arr. Cello & Piano) | Taki Rentarou, Lynn Harrell, Bruno Canino | C Minor | 0 | 5A | 84 BPM |