Georges Bizet, Maria Callas, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra's 'Carmen (1997 - Remaster), Act III: Reposons-nous une heure ici, mes camarades' came out on 1964. The duration of Carmen (1997 - Remaster), Act III: Reposons-nous une heure ici, mes camarades is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Carmen (1997 - Remaster), Act III: Reposons-nous une heure ici, mes camarades's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 39 in Bizet: Carmen by Georges Bizet, Maria Callas, Georges Prêtre. In terms of popularity, Carmen (1997 - Remaster), Act III: Reposons-nous une heure ici, mes camarades is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Carmen (1997 - Remaster), Act III: Reposons-nous une heure ici, mes camarades by Georges Bizet, Maria Callas, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra is Moderato (at a moderate speed), since this song has a tempo of 115 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Il Barbiere di Siviglia (1996 Digital Remaster): Ah, disgraziato Figaro! (Bartolo/Rosina/Berta/Ambrogio) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | F Major | 2 | 7B | 106 BPM | ||
Turandot, Act I: Signore, ascolta! | Giacomo Puccini, Maria Callas, RAI Symphony Orchestra, Rome, Tullio Serafin | F♯ Major | 1 | 2B | 84 BPM | ||
Una voce poco fa from Il Barbiere di Siviglia, '(The) Barber of Seville' | Maria Callas, Philharmonia Orchestra, Tullio Serafin | E Major | 1 | 12B | 136 BPM | ||
Lucia di Lammermoor / Act 3: "S'avanza Enrico" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 0 | 9B | 107 BPM | ||
La Vestale (1997 Digital Remaster): O nome tutelar | Tullio Serafin, Maria Callas, Orchestra Del Teatro Alla Scala, Milano | D Major | 1 | 10B | 86 BPM | ||
Donde lieta uscì al tuo grido d'amore (Mimì) - 1997 Remastered Version | Giacomo Puccini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | D♭ Major | 1 | 3B | 93 BPM | ||
Rossini: Il barbiere di Siviglia, Act 3: Recitativo. "Bravo, signor barbiere, ma bravo!" (Bartolo, Figaro, Rosina, Conte) | Gioachino Rossini, James Levine, Beverly Sills, Nicolai Gedda, Renato Capecchi, Sherrill Milnes, London Symphony Orchestra | C Major | 2 | 8B | 91 BPM | ||
Andrea Chénier: Un dì all'azzurro spazio | Umberto Giordano, José Carreras, Giuseppe Patanè, Hungarian State Orchestra | B♭ Major | 2 | 6B | 84 BPM | ||
Mozart: Così fan tutte, K. 588, Act I, Scene 1: No. 2, Terzetto. "È la fede delle femmine" (Don Alfonso, Ferrando, Guglielmo) | Wolfgang Amadeus Mozart, Alfredo Kraus, Giuseppe Taddei, Heinrich Schmidt, Walter Berry, Karl Böhm, Philharmonia Orchestra | E Major | 2 | 12B | 103 BPM | ||
Lucia di Lammermoor / Act 3: "Qui del padre ancor respira" | Gaetano Donizetti, Luciano Pavarotti, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D Major | 4 | 10B | 108 BPM |