"Octonaires de la vanité du monde, Livre 2: 3. Mon âme, où sont les grands discours" by Paschal de l'Estocart, Ensemble Clément Janequin, Dominique Visse had its release date on July 31, 2007. With This song being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "Paschal De L'Estocart: Octonaires de la vanité du monde". In this album, this song's track order is #13. Furthermore, we believe that the track originated from France. The popularity of Octonaires de la vanité du monde, Livre 2: 3. Mon âme, où sont les grands discours is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Octonaires de la vanité du monde, Livre 2: 3. Mon âme, où sont les grands discours by Paschal de l'Estocart, Ensemble Clément Janequin, Dominique Visse having a テンポ of 177 with a half-time of 88 テンポ and a double-time of 354 テンポ, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Miserere mei, Z. 109 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 66 BPM | ||
Ballet des fous et des estropiés de la cervelle: II. Entrée des demy-fous | Anonymous, Le Poème Harmonique, Vincent Dumestre | G Minor | 3 | 6A | 134 BPM | ||
Ricercar à 3 | Adrian Willaert, The Vienna Recorder Ensemble | B♭ Minor | 0 | 3A | 74 BPM | ||
Resveillez-vous, chacun fidèle | Jan Pieterszoon Sweelinck, Cappella Amsterdam, Daniel Reuss | E Minor | 2 | 9A | 141 BPM | ||
Allegri: Miserere - 11. Tunc Acceptabis | The Tallis Scholars, Peter Phillips | G Minor | 0 | 6A | 89 BPM | ||
In Nomine à 5 "Trust" | Christopher Tye, Fretwork | C Minor | 0 | 5A | 62 BPM | ||
Concert XXVII: Bourrasque - Balet | Monsieur de Sainte-Colombe, Jordi Savall, Wieland Kuijken | E Major | 1 | 12B | 121 BPM | ||
Basciami Mille Volte a 5 Voci | Luca Marenzio, Rinaldo Alessandrini, Concerto Italiano | G Minor | 1 | 6A | 81 BPM | ||
Folia: Para Quien Crié Cabellos, 1557 (De Cabezón) | Jordi Savall | G Minor | 2 | 6A | 106 BPM | ||
Réveillez vous chacun fidèle (Ps. 33) | Paschal de l'Estocart, Dominique Visse, Ensemble Clément Janequin | F♯ Minor | 1 | 11A | 72 BPM |