Jordi Savall made "Folia: Para Quien Crié Cabellos, 1557 (De Cabezón)" available on January 1, 1998. The duration of Folia: Para Quien Crié Cabellos, 1557 (De Cabezón) is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Folia: Para Quien Crié Cabellos, 1557 (De Cabezón)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jordi Savall's "La Folia" album is number 3 out of 8. On top of that, Switzerland appears to be the country where this track was created. In terms of popularity, Folia: Para Quien Crié Cabellos, 1557 (De Cabezón) is currently below average in popularity. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Folia: Para Quien Crié Cabellos, 1557 (De Cabezón) by Jordi Savall to be Andante (at a walking pace) because the track has a tempo of 106 テンポ, a half-time of 53テンポ, and a double-time of 212 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lettera amorosa a voce sola in genero rappresentativo e si canta senza battuta (Settimo Libro) | Claudio Monteverdi, Jordi Savall, Montserrat Figueras, Hespèrion XX | D Minor | 0 | 7A | 69 BPM | ||
Dido and Aeneas, Z. 626 / Act 3: "When I am laid in earth" (Dido's Lament) (Performed on Recorder) | Henry Purcell, Lucie Horsch, Academy of Ancient Music, Bojan Čičić | F♯ Minor | 1 | 11A | 76 BPM | ||
Falconieri / Orch Tufvesson: Il primo libro di canzone, sinfonie, fantasie: XV. Passacalle (Orch. Tufvesson) | Andrea Falconieri, Nathalie Stutzmann, Orfeo 55 | F♯ Minor | 3 | 11A | 118 BPM | ||
Passamezzo moderno: Recercada secunda | Diego Ortiz, Mika Suihkonen, Ballo della Battalia | B Major | 3 | 1B | 121 BPM | ||
Three Feminine Portraits - Lady Hunsdon's Allemande | Hopkinson Smith, John Dowland | B♭ Major | 2 | 6B | 80 BPM | ||
Quatuor No. 6 in E Minor: VI. Modéré | Christophe Rousset, Masahiro Arita, Ryo Terakado, Kaori Uemura | E♭ Minor | 1 | 2A | 147 BPM | ||
Passacalle | Andrea Falconieri, Jordi Savall | G Minor | 2 | 6A | 93 BPM | ||
Muzettes I-II - 3ème livre de Pièces de viole (Marin Marais) | Marin Marais, Pierre Hantaï, Rolf Lislevand, Jordi Savall | A♭ Major | 0 | 4B | 88 BPM | ||
Ballet des fous et des estropiés de la cervelle: III. Entrée des Fantasques | Anonymous, Le Poème Harmonique, Vincent Dumestre | G Major | 1 | 9B | 112 BPM | ||
Les Pleurs (version à 2 violes) (Mr. de Sainte Colombe) | Monsieur de Sainte-Colombe, Christophe Coin, Jordi Savall | D♭ Minor | 0 | 12A | 77 BPM |