Wilhelm Friedemann Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon's 'Sinfonia in D Major, F. 64: I. Allegro e maestoso' came out on 1997. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wilhelm Friedemann Bach: Sinfonias & Suite in G Minor & Concerto for Harpsichord in D Major by Tafelmusik Baroque Orchestra. The song's track number on the album is #1 out of 16 tracks. In terms of popularity, Sinfonia in D Major, F. 64: I. Allegro e maestoso is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Sinfonia in D Major, F. 64: I. Allegro e maestoso by Wilhelm Friedemann Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon has a tempo of 97 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Sinfonia in D Major, F. 64: I. Allegro e maestoso being at 97 テンポ, the half-time would be 48 テンポ with a double-time of 194 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
The music key of this track is D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Amadis de Gaule, W. G39: Act II Scene V: Gigue | Johann Christian Bach, Ulrike Sonntag, Elfie Hobarth, Ibolya Verebics, James Wagner, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | E Major | 1 | 12B | 132 BPM | ||
Concerto pour violon "Les Rainettes", en La Majeur: Concerto pour violon "Les Rainettes", en La Majeur: I. Ohne Satzbezeichnung | Georg Philipp Telemann, Midori Seiler, Stephan Mai, Akademie für Alte Musik Berlin | A♭ Major | 2 | 4B | 117 BPM | ||
Harp Concerto in G Major: III. Vivace | Georg Christoph Wagenseil, Roberta Alessandrini, Mantova Orchestra, Vittorio Parisi | G Major | 1 | 9B | 77 BPM | ||
Trio No. 3 in A Minor, Fk. 49: I. Allegro | Wilhelm Friedemann Bach, Jean-Pierre Rampal, John Steele Ritter, Isaac Stern, Leslie Parnas | A Minor | 4 | 8A | 92 BPM | ||
Cello Concerto No. 1 In C Major, G. 477: II. Largo | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | F Major | 0 | 7B | 70 BPM | ||
Sinfonia in F major, F. 67: II. Andante | Wilhelm Friedemann Bach, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | D Minor | 1 | 7A | 118 BPM | ||
Concerto a cinque No. 3, Op. 7: I. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A Major | 5 | 11B | 110 BPM | ||
Intermezzo, Op. 119/1 | Johannes Brahms, Cappella Amsterdam, Daniel Reuss | D Major | 0 | 10B | 65 BPM | ||
Trio Sonata in G Minor: II. Allegro un poco | Johann Friedrich Fasch, Danubius Ensemble | C Minor | 2 | 5A | 122 BPM | ||
Keyboard Suite No. 5 in E Major, HWV 430: IV. Air and Doubles ("Harmonious Blacksmith") | George Frideric Handel, Philip Edward Fisher | E Major | 1 | 12B | 126 BPM |