Wilhelm Friedemann Bach, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen's 'Sinfonia in F major, F. 67: II. Andante' came out on 1994. The duration of Sinfonia in F major, F. 67: II. Andante is about 3 minutes long, at 3:06. Based on our data, "Sinfonia in F major, F. 67: II. Andante" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 16 in BACH, W.F.: Orchestral Music - F. 24, 64, 65, 91, 92 (Carl Philipp Emanuel Bach Chamber Orchestra, Haenchen) by Wilhelm Friedemann Bach, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen. In terms of popularity, Sinfonia in F major, F. 67: II. Andante is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Sinfonia in F major, F. 67: II. Andante by Wilhelm Friedemann Bach, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen is Moderato (at a moderate speed), since this song has a tempo of 118 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
The music key of this track is D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola Concerto in C Minor: III. Allegro molto energico | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | G Minor | 3 | 6A | 79 BPM | ||
Flute Concerto in G major: 2. Arioso | Johann Joachim Quantz, Jean-Pierre Rampal, Antiqua Musica Orchestra, Jacques Roussel | G Minor | 1 | 6A | 79 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Concerto a violono e viola da gamba in C Minor, GraunWV A:XIII:3: III. Allegro | Johann Gottlieb Graun, Ensemble Baroque De Limoges, Christophe Coin, Gilles Colliard | B Minor | 2 | 10A | 120 BPM | ||
Duet No. 2 for 2 Violas in G Major, Fk. 61: II. Lamento | Wilhelm Friedemann Bach, Ensemble Sans Souci Berlin | E Major | 1 | 12B | 83 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.3 in C sharp major BWV872 | Daniel Barenboim | D♭ Major | 0 | 3B | 133 BPM | ||
Concerto for 2 Flutes in D Major (Ed. P. Gallois): II. Largo | Saverio Mercadante, Patrick Gallois, Kazunori Seo, Czech Philharmonic Chamber Orchestra | G Major | 1 | 9B | 171 BPM | ||
Flute Concerto in D Major: I. Allegro | Johann Stamitz, Robert Aitken, The Vilnius City Municipality St. Christopher Chamber Orchestra, Donatas Katkus | D Major | 1 | 10B | 134 BPM | ||
Harmonia Artificioso Ariosa, Partia V in G Minor, C. 66: Passacaglia | Heinrich Ignaz Franz von Biber, Lautten Compagney, Wolfgang Katschner | F♯ Minor | 1 | 11A | 94 BPM | ||
Concerto pour violoncelle No. 6 en ré majeur, G. 479: I. Allegro | Luigi Boccherini, Ophélie Gaillard, Pulcinella Orchestra | A Major | 1 | 11B | 82 BPM |