William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields, Fenella Fielding's 'Walton: Façade: VIII. Black Mrs Behemoth' had a release date set for June 14, 2024. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Walton: Façade, an Entertainment by William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields. The song's track number on the album is #9 out of 22 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Walton: Façade: VIII. Black Mrs Behemoth is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Walton: Façade: VIII. Black Mrs Behemoth by William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields, Fenella Fielding has a tempo of 109 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Walton: Façade: VIII. Black Mrs Behemoth being at 109 テンポ, the half-time would be 54 テンポ with a double-time of 218 テンポ.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 1/4.
The music key of this track is F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mrs Worthington | Noel Coward | E♭ Major | 2 | 5B | 137 BPM | ||
I'Ll See You Again | Noel Coward | G Major | 1 | 9B | 78 BPM | ||
Human Again | Taylor Streep, The Manhattan Musical Company | A Minor | 4 | 8A | 198 BPM | ||
Tides Flowing in the Celestial River | Hera Skyholder | E Minor | 1 | 9A | 88 BPM | ||
Die Dreigroschenoper (The Threepenny Opera) (arr. M. Blitzstein): Act I: Army Song (Macheath, Brown, 4 Gangsters) | Kurt Weill, Marc Blitzstein, Scott Merrill, George Tyne, John Astin, Joseph Beruh, Bernard Bogin, Paul Dooley, Artist Unknown, Samuel Matlowsky | D♭ Minor | 5 | 12A | 103 BPM | ||
For That's My Way | Caroline Kava | G Minor | 1 | 6A | 82 BPM | ||
That's Why They Call Him Daddy | Hannah Spearritt, Stuart Piper | D Major | 4 | 10B | 78 BPM | ||
The Tiny Scout (from "An Affair To Remember") | Gary Grant, Deborah Kerr | A♭ Major | 2 | 4B | 67 BPM | ||
West Side Story: Act I: Gee, Officer Krupke | Leonard Bernstein, Russ Tamblyn, Johnny Green, Tony Mordente, David Winters, Eliot Feld, Bert Michaels, West Side Story Orchestra | D♭ Major | 4 | 3B | 146 BPM | ||
Lost In A Fog | Carroll Gibbons And The Boyfriends | B♭ Major | 0 | 6B | 122 BPM |