Wolfgang Amadeus Mozart, Samuel Ramey/Cheryl Studer/Carol Vaness/Frank Lopardo/Susanne Mentzer/Natale de Carolis/Wiener Philharmoniker/Riccardo Muti, Riccardo Muti, Wiener Philharmoniker's 'Mozart: Don Giovanni, K. 527, Act 2 Scene 16: "Or che tutti, o mio tesoro" (Don Ottavio, Donna Anna, Donna Elvira, Zerlina, Masetto, Leporello)' came out on October 31, 1988. The duration of Mozart: Don Giovanni, K. 527, Act 2 Scene 16: "Or che tutti, o mio tesoro" (Don Ottavio, Donna Anna, Donna Elvira, Zerlina, Masetto, Leporello) is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Mozart: Don Giovanni, K. 527, Act 2 Scene 16: "Or che tutti, o mio tesoro" (Don Ottavio, Donna Anna, Donna Elvira, Zerlina, Masetto, Leporello)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 15 out of 214. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Mozart: Don Giovanni, K. 527, Act 2 Scene 16: "Or che tutti, o mio tesoro" (Don Ottavio, Donna Anna, Donna Elvira, Zerlina, Masetto, Leporello) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Don Giovanni, K. 527, Act 2 Scene 16: "Or che tutti, o mio tesoro" (Don Ottavio, Donna Anna, Donna Elvira, Zerlina, Masetto, Leporello) by Wolfgang Amadeus Mozart, Samuel Ramey/Cheryl Studer/Carol Vaness/Frank Lopardo/Susanne Mentzer/Natale de Carolis/Wiener Philharmoniker/Riccardo Muti, Riccardo Muti, Wiener Philharmoniker to be Andante (at a walking pace) because the track has a tempo of 95 テンポ, a half-time of 48テンポ, and a double-time of 190 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rigoletto / Act 3: È amabile invero cotal giovinotto | Giuseppe Verdi, Ileana Cotrubas, Elena Obraztsova, Nicolai Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini | A Major | 2 | 11B | 96 BPM | ||
Die Meistersinger von Nürnberg - Act 1: "Verweilt! - Ein Wort" | Richard Wagner, René Kollo, Hannelore Bode, Julia Hamari, Adolf Dallapozza, Wiener Philharmoniker, Sir Georg Solti | C Major | 2 | 8B | 75 BPM | ||
Die Hochzeit des Figaro, K. 492, 3. Akt: Canzonetta sull aria… Che soave zeffiretto (Die Verurteilten): Act I No. 7: Terzetto - Cosa sento! Tosto andate | Wolfgang Amadeus Mozart, Marina Mescheriakova, Judith Halász, Michelle Breedt, Orsolya Safar, Gabriele Sima, Alexander Klinger, Michael Roider, Bo Skovhus, Peter Koves, Janusz Monarcha, Renato Girolami, Nicolaus Esterhazy Sinfonia, Michael Halasz | B♭ Major | 2 | 6B | 117 BPM | ||
Symphony No.5 In B Flat, D.485: 4. Allegro vivace | Franz Schubert, Wiener Philharmoniker, Karl Böhm | B♭ Major | 2 | 6B | 150 BPM | ||
Die Entführung aus dem Serail, K. 384 / Act III: "Meinetwegen sollst du sterben!" - Live | Wolfgang Amadeus Mozart, Diana Damrau, Rolando Villazón, Chamber Orchestra of Europe, Yannick Nézet-Séguin | B♭ Major | 2 | 6B | 82 BPM | ||
Die Walküre / Erster Aufzug: "Wes Herd dies auch, hier muß ich rasten" | Richard Wagner, James King, Régine Crespin, Wiener Philharmoniker, Sir Georg Solti | G Minor | 0 | 6A | 92 BPM | ||
Davide penitente, K. 469: Aria: A te, fra tanti affanni (Tenor) | Wolfgang Amadeus Mozart, Trine Wilsberg Lund, Kristina Wahlin, Lothar Odinius, Gewandhaus Chamber Choir, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | D Minor | 2 | 7A | 119 BPM | ||
Die Fledermaus / Act 1: "Mein Herr, was dächten Sie von mir" | Johann Strauss II, Kiri Te Kanawa, Richard Leech, Tom Krause, Wiener Philharmoniker, André Previn | G Major | 1 | 9B | 131 BPM | ||
Don Carlo, Act III: Ella giammai m'amò! | Giuseppe Verdi, Samuel Ramey, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti, Orchestra Del Teatro Alla Scala Di Milan | F Major | 4 | 7B | 89 BPM | ||
Die Walküre / Dritter Aufzug: "Loge, hör! Lausche hieher!" | Richard Wagner, Hans Hotter, Wiener Philharmoniker, Sir Georg Solti | D♭ Major | 1 | 3B | 93 BPM |