Henry Purcell, Emmanuelle Haïm made "Purcell: Dido and Aeneas, Z. 626, Act 1: "Shake the cloud from off your brow" (Belinda)" available on 2003. With Purcell: Dido and Aeneas, Z. 626, Act 1: "Shake the cloud from off your brow" (Belinda) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 36 in the song's album "Purcell: Dido and Aeneas". In this album, this song's track order is #2. In terms of popularity, Purcell: Dido and Aeneas, Z. 626, Act 1: "Shake the cloud from off your brow" (Belinda) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Purcell: Dido and Aeneas, Z. 626, Act 1: "Shake the cloud from off your brow" (Belinda) by Henry Purcell, Emmanuelle Haïm having a テンポ of 117 with a half-time of 58 テンポ and a double-time of 234 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Theodora: Aria - As With Rosy Steps The Morn | Lorraine Hunt Lieberson, Orchestra of the Age of Enlightenment, Stephen Stubbs, Phoebe Carrai, Harry Bicket | B Major | 0 | 1B | 68 BPM | ||
Artasere, Act III Scene 1: Aria "Son qual nave ch'agitata" (Arbace) | Riccardo Broschi, Ann Hallenberg, Les Talens Lyriques, Christophe Rousset | G Minor | 0 | 6A | 172 BPM | ||
Dido and Aeneas, Z. 626 / Act I: "Shake the Cloud from Off Your Brow" - "Banish Sorrow, Banish Care" | Henry Purcell, The English Concert, Trevor Pinnock, Lynne Dawson, The English Concert Choir | D♭ Major | 1 | 3B | 86 BPM | ||
Berlioz: Les Nuits d'été, Op. 7, H 81b: I. Villanelle, H 82b | Hector Berlioz, Théophile Gautier, Véronique Gens/Louis Langree/Orchestre de l'Opéra National de Lyon, Louis Langrée, Orchestre De L'Opéra National De Lyon | A Major | 1 | 11B | 134 BPM | ||
Purcell : King Arthur : Act 1 "Brave souls, to be renown'd in story" [Chorus] | William Christie | B♭ Major | 1 | 6B | 75 BPM | ||
Niobe, regina di Tebe: "Serena, o mio bel sole...Mia fiamma...Mio adore" | Agostino Steffani, Cecilia Bartoli, Philippe Jaroussky, I Barocchisti, Diego Fasolis, I Barrochisti | E♭ Minor | 1 | 2A | 105 BPM | ||
La festa d'Imeneo: Vaghi amori, grazie amate (Ed. Sanderson) | Nicola Porpora, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | G Major | 1 | 9B | 100 BPM | ||
Bach, JS: Jauchzet Gott in allen Landen, BWV 51: No. 1, Aria. "Jauchzet Gott in allen Landen" | Johann Sebastian Bach, Natalie Dessay, Neil Brough, Emmanuelle Haïm, Le Concert d'Astrée | B Major | 1 | 1B | 87 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Paul Dombrecht | E♭ Minor | 1 | 2A | 114 BPM | ||
Mozart: Mass in C Minor, K. 427, "Great Mass": Gratias | Wolfgang Amadeus Mozart, Louis Langrée, Denis Comtet, Le Choeur du Concert d'Astrée, Yves Castagnet, Le Concert d'Astrée | C Minor | 0 | 5A | 112 BPM |