Johann Sebastian Bach, Itzhak Perlman's 'Bach, JS: Partita for Solo Violin No. 3 in E Major, BWV 1006: V. Menuet II' came out on April 15, 2024. The duration of Bach, JS: Partita for Solo Violin No. 3 in E Major, BWV 1006: V. Menuet II is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Bach, JS: Partita for Solo Violin No. 3 in E Major, BWV 1006: V. Menuet II's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Itzhak Perlman, Johann Sebastian Bach's "Itzhak Perlman Plays Bach & Vivaldi" album is number 35 out of 57. On top of that, United Kingdom appears to be the country where this track was created. Bach, JS: Partita for Solo Violin No. 3 in E Major, BWV 1006: V. Menuet II is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bach, JS: Partita for Solo Violin No. 3 in E Major, BWV 1006: V. Menuet II by Johann Sebastian Bach, Itzhak Perlman to be Lento (slowly) because the track has a tempo of 58 テンポ, a half-time of 29テンポ, and a double-time of 116 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mazurka in A Minor, Op. 17 No. 4 | Frédéric Chopin, Khatia Buniatishvili | A Minor | 0 | 8A | 173 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 1 in C major, BWV 846 | Luc Beauséjour | B Major | 3 | 1B | 78 BPM | ||
Wir müssen durch viel Trübsal, BWV 146: Sinfonia | Johann Sebastian Bach, Brigitte Geller, William Towers, Mark Padmore, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D Major | 0 | 10B | 102 BPM | ||
Kinderszenen, Op. 15: No. 1, Von fremden Ländern und Menschen | Robert Schumann, Vladimir Horowitz | G Major | 0 | 9B | 70 BPM | ||
Prelude No. 3 "Nina's Convention" | Johann Sebastian Bach, John Lewis | C Major | 1 | 8B | 93 BPM | ||
Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: II. Adagio Ma Non Tanto | Cologne Chamber Orchestra, Johann Sebastian Bach | C Minor | 1 | 5A | 83 BPM | ||
6 Consolations, S. 172: No. 3 in D-Flat Major (Lento, placido) | Franz Liszt, Daniel Barenboim | D♭ Major | 0 | 3B | 69 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM |