"Piano Concerto No. 20 in D Minor, K.466: III. Rondeau: Allegro assai - Cadenza - Tempo I" by Wolfgang Sawallisch, Philharmonia Orchestra, Youri Egorov was released on 1993. Since Piano Concerto No. 20 in D Minor, K.466: III. Rondeau: Allegro assai - Cadenza - Tempo I is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 19 in Beethoven:Symphony No. 9/Piano Concerto No. 5/Mozart: Piano Concerto No. 20 by Wolfgang Sawallisch. Based on our statistics, Piano Concerto No. 20 in D Minor, K.466: III. Rondeau: Allegro assai - Cadenza - Tempo I's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Concerto No. 20 in D Minor, K.466: III. Rondeau: Allegro assai - Cadenza - Tempo I by Wolfgang Sawallisch, Philharmonia Orchestra, Youri Egorov is Allegro (fast, quick, and bright), since this song has a tempo of 139 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
The music key of this track is D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
España - Rhapsody For Orchestra | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | F Major | 3 | 7B | 129 BPM | ||
Requiem in B-Flat Minor, Op. 89, B. 165: VII. Confutatis maledictis | Antonín Dvořák, Czech Philharmonic Orchestra, Prague Philharmonic Choir, Wolfgang Sawallisch, Lubomir Matl | F Major | 2 | 7B | 125 BPM | ||
Parsifal Wagner - Good Friday Spell | Gerard Schwarz | D Major | 0 | 10B | 75 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Kyung Wha Chung, Royal Philharmonic Orchestra, Rudolf Kempe | E♭ Major | 1 | 5B | 101 BPM | ||
Io sono docile | Gioachino Rossini, Roberta Peters, Erich Leinsdorf, Metropolitan Opera Orchestra | F Major | 3 | 7B | 83 BPM | ||
Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice (Allegretto non troppo) | Hector Berlioz, Royal Concertgebouw Orchestra, Sir Colin Davis | D♭ Major | 2 | 3B | 77 BPM | ||
4 Lieder, Op. 36, TrV 186: No. 4, Anbetung | Richard Strauss, Dietrich Fischer-Dieskau, Wolfgang Sawallisch | E♭ Major | 0 | 5B | 67 BPM | ||
Schumann: Overture, Scherzo and Finale, Op. 52: Overture | Robert Schumann, Staatskapelle Dresden, Wolfgang Sawallisch | C Major | 1 | 8B | 78 BPM | ||
Symphony No. 101 In D Major, Hob.I:101 - "The Clock": 2. Andante | Joseph Haydn, Chamber Orchestra of Europe, Claudio Abbado | D♭ Major | 0 | 3B | 74 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM |