"Borodin: Prince Igor, Act II, Polovtsian Dances: Pt. 1, Introduction - Gliding Dance of the Maidens" by Alexander Borodin, Sir Thomas Beecham, Beecham Choral Society, Royal Philharmonic Orchestra was released on February 1, 1999. The duration of Borodin: Prince Igor, Act II, Polovtsian Dances: Pt. 1, Introduction - Gliding Dance of the Maidens is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Borodin: Prince Igor, Act II, Polovtsian Dances: Pt. 1, Introduction - Gliding Dance of the Maidens's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Rimsky-Korsakov: Scheherazade - Borodin: Polovstian Dances ('Prince Igor')". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Borodin: Prince Igor, Act II, Polovtsian Dances: Pt. 1, Introduction - Gliding Dance of the Maidens is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Borodin: Prince Igor, Act II, Polovtsian Dances: Pt. 1, Introduction - Gliding Dance of the Maidens by Alexander Borodin, Sir Thomas Beecham, Beecham Choral Society, Royal Philharmonic Orchestra having a テンポ of 77 with a half-time of 38 テンポ and a double-time of 154 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Manon Lescaut: Act II: In quelle trine morbide | Giacomo Puccini, Lucienne van Deyck, Miriam Gauci, Donald George, Ludwig van Gijzegem, Kaludi Kaludov, Henk Lauwers, Marcel Rosca, Vicente Sardinero, BRT Philharmonic Chorus, Jaak Gregoor Choir, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | D Major | 0 | 10B | 83 BPM | ||
Gloria in D, RV 589: II. Et in terra pax hominibus | Antonio Vivaldi, Choir of King's College, Cambridge, Stephen Cleobury, Academy of Ancient Music | B♭ Minor | 2 | 3A | 130 BPM | ||
Barcarolle: Schöne Nacht, du Liebesnacht - Hoffmanns Erzählungen | Jacques Offenbach, Jesús López-Cobos, Hei-Kyung Hong, Jennifer Larmore, Munich Radio Orchestra | D Major | 2 | 10B | 81 BPM | ||
Rachmaninov: 12 Songs, Op. 21 - Arr. By Michael Rot: 7. Zdes′ khorosho | Sergei Rachmaninoff, Anna Netrebko, Mariinsky Orchestra, Valery Gergiev | A Major | 1 | 11B | 78 BPM | ||
Symphony No.5 In C Sharp Minor - 4th Movement | Royal Philharmonic Orchestra | F Major | 0 | 7B | 62 BPM | ||
協奏曲集「四季」より「秋」/第3楽章(『007/美しき獲物たち』より) | ライナー・クスマウル, シュトゥットガルト室内管弦楽団, マルティン・ジーグハルト | D♭ Major | 0 | 3B | 68 BPM | ||
Mozart: Requiem in D Minor, K. 626: VI. Recordare | Nikolaus Harnoncourt, Vienna State Opera Chorus | F Major | 1 | 7B | 131 BPM | ||
Berlioz: Symphonie fantastique, Op. 14, H 48: II. Un bal. Valse. Allegro non troppo | Hector Berlioz, Sir Thomas Beecham, French National Radio Orchestra | A Major | 2 | 11B | 74 BPM | ||
The Bird Man - from 'Nausicaä of the Valley of the Wind' | Joe Hisaishi, Royal Philharmonic Orchestra | G Minor | 4 | 6A | 80 BPM | ||
Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM |