Giovanni Bononcini, London Baroque made "Trio Sonata No. 2 in G Minor: IV. Menuets I & II" available on March 26, 2013. The duration of Trio Sonata No. 2 in G Minor: IV. Menuets I & II is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Trio Sonata No. 2 in G Minor: IV. Menuets I & II's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "The trio sonata in 18th century italy". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Trio Sonata No. 2 in G Minor: IV. Menuets I & II is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Trio Sonata No. 2 in G Minor: IV. Menuets I & II by Giovanni Bononcini, London Baroque having a テンポ of 106 with a half-time of 53 テンポ and a double-time of 212 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): III. Largo | Johann Gottlieb Goldberg, London Baroque | E♭ Minor | 1 | 2A | 82 BPM | ||
Sonata in D Minor, Op. 2, No. 2: III. Largo | Benedetto Marcello, Dan Laurin, Parnassus Avenue | E Major | 0 | 12B | 78 BPM | ||
Varie partite del passemezo, ciaccona, capricii, e passagalii, Op. 7: Ciaccona | Giovanni Battista Vitali, London Baroque | E Major | 1 | 12B | 101 BPM | ||
Trio Sonata in G Minor, Op. 3 No. 5: III. Sarabanda. Andante con espressione - Allegro grazioso | Giuseppe Sammartini, London Baroque | E Major | 1 | 12B | 106 BPM | ||
Sinfonia da camera in G Minor, Op. 2 No. 3: IV. Allegro | Nicola Porpora, London Baroque | E Major | 1 | 12B | 106 BPM | ||
12 Trio Sonatas, Op. 1, No. 10 in B-Flat Major, RV 78: III. Gavotta. Presto | Antonio Vivaldi, L'Estravagante | F♯ Major | 3 | 2B | 97 BPM | ||
Concerto Grosso in C Minor, Op. 1, No. 6: III. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Minor | 1 | 4A | 101 BPM | ||
Phaëton, LWV 61: Ritournelle "Le printemps" | Jean-Baptiste Lully, Tafelmusik Baroque Orchestra, Jeanne Lamon | A♭ Major | 4 | 4B | 77 BPM | ||
Sonata No. 2 In D Major, Op. 3: IV. Allegro | Arcangelo Corelli, London Baroque, Charles Medlam | D♭ Major | 1 | 3B | 88 BPM | ||
Sonata (Adagio) | Nicola Matteis, Gli Incogniti, Amandine Beyer | B Major | 1 | 1B | 53 BPM |