Wolfgang Amadeus Mozart, Lucia Popp, Tom Krause, Vienna Haydn Orchestra, István Kertész's 'Don Giovanni, K.527 / Act 1: "Là ci darem la mano"' came out on January 1, 2005. The duration of Don Giovanni, K.527 / Act 1: "Là ci darem la mano" is about 3 minutes long, at 3:19. Based on our data, "Don Giovanni, K.527 / Act 1: "Là ci darem la mano"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Lucia Popp, Brigitte Fassbaender, Werner Krenn, Tom Krause, Manfred Jungwirth, Vienna Haydn Orchestra, István Kertész's "Mozart Opera Festival" album is number 18 out of 19. In terms of popularity, Don Giovanni, K.527 / Act 1: "Là ci darem la mano" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Don Giovanni, K.527 / Act 1: "Là ci darem la mano" by Wolfgang Amadeus Mozart, Lucia Popp, Tom Krause, Vienna Haydn Orchestra, István Kertész to be Andante (at a walking pace) because the track has a tempo of 96 テンポ, a half-time of 48テンポ, and a double-time of 192 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'elisir d'amore / Act 1: "Quanto è bella" | Gaetano Donizetti, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | C Major | 2 | 8B | 80 BPM | ||
Don Giovanni, K. 527, Act I: Madamina, il catalogo è questo - Remastered 2024 | Wolfgang Amadeus Mozart, Paul Schöffler, Wiener Philharmoniker, Karl Böhm | B♭ Major | 1 | 6B | 96 BPM | ||
Die Fledermaus / Act I: Nr. 4 Terzett: "So muss allein ich bleiben" | Johann Strauss II, Julia Varady, Lucia Popp, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber | C Major | 2 | 8B | 131 BPM | ||
Mozart: Die Zauberflöte, K. 620, Act 2: "Pa-pa-pa" (Papageno, Papagena) | Wolfgang Amadeus Mozart, Catherine Pierard, Andreas Schmidt, Sir Roger Norrington, London Classical Players | B♭ Major | 0 | 6B | 77 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
Prodaná Nevesta (The Bartered Bride): Kdybych se co takového (Should I ever happen to learn) (Act 1) | Bedřich Smetana, Lucia Popp, Munich Radio Orchestra, Stefan Soltesz, Muenchner Rundfunkorchester | D♭ Major | 1 | 3B | 103 BPM | ||
Les Pecheurs des Perles / Act 1: "Au fond du temple saint" | Georges Bizet, Luciano Pavarotti, Nicolai Ghiaurov, National Philharmonic Orchestra, Robin Stapleton | E♭ Major | 2 | 5B | 78 BPM | ||
Verdi: Messa da Requiem: XVII. Libera me - Dies irae | Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano | A♭ Major | 2 | 4B | 88 BPM | ||
Le nozze di Figaro, K.492 / Act 1: "Se a caso Madama la notte ti chiama" | Wolfgang Amadeus Mozart, Edith Mathis, Hermann Prey, Orchester der Deutschen Oper Berlin, Karl Böhm | B♭ Major | 2 | 6B | 123 BPM | ||
Verdi: Aïda, Act 1: "Celeste Aïda" (Radames) | Giuseppe Verdi, Plácido Domingo, Nello Santi, Berlin Deutsche Oper Orchestra | A♭ Major | 0 | 4B | 181 BPM |