Marcelo Coronel, Victor Villadangos's 'Imaginario popular argentino (Popular Argentine Legends): I. Pachamama' came out on March 21, 2006. The duration of Imaginario popular argentino (Popular Argentine Legends): I. Pachamama is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Imaginario popular argentino (Popular Argentine Legends): I. Pachamama's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Victor Villadangos's "Guitar Music Of Argentina, Vol. 2" album is number 13 out of 20. On top of that, Hong Kong appears to be the country where this track was created. Imaginario popular argentino (Popular Argentine Legends): I. Pachamama is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Imaginario popular argentino (Popular Argentine Legends): I. Pachamama by Marcelo Coronel, Victor Villadangos to be Andante (at a walking pace) because the track has a tempo of 77 テンポ, a half-time of 38テンポ, and a double-time of 154 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liederalbum für die Jugend, Op. 79: No. 4, Frühlingsgruss (Arr. A. Segovia for Guitar) | Robert Schumann, Andrés Segovia | E Major | 0 | 12B | 75 BPM | ||
Imágenes de Yucatán: II. Paseo Montejo | Julio Cesár Oliva, Cecilio Perera | G Major | 0 | 9B | 90 BPM | ||
Violin Sonata No. 1 in G Minor, BWV 1001 (Arr. for Guitar by Manuel Barrueco): III. Siciliana | Johann Sebastian Bach, Georgi Dimitrov-Jojo | D♭ Minor | 1 | 12A | 68 BPM | ||
Carmen Suite No. 1 (Arr. for Violin & Guitar): IV. Séguédille | Georges Bizet, Nazrin Rashidova, Stanislav Hvartchilkov | D Major | 1 | 10B | 90 BPM | ||
Tres piezas espanolas: Fandango | Joaquín Rodrigo, Cristina Galietto | A Major | 0 | 11B | 75 BPM | ||
Sonata in C Major, Op. 15: I. Allegro | Mauro Giuliani, Jonathan Richter | D Major | 3 | 10B | 96 BPM | ||
Colascione Partita XVI: IV. Gigue | Giuseppe Antonio Brescianello, Andrea Belmonte | E Minor | 0 | 9A | 140 BPM | ||
Castillos de España: Simancas | Federico Moreno Torroba, John Oeth | E Minor | 2 | 9A | 98 BPM | ||
Bardenklänge, Op. 13: Unruhe (Restlessness) | Johann Kaspar Mertz, Johannes Möller, Laura Fraticelli | C Minor | 1 | 5A | 112 BPM | ||
24 Exercises, Op. 35: No. 22, Allegretto | Fernando Sor, Enea Leone | C Major | 1 | 8B | 134 BPM |