"Violin Sonata No. 1 in G Minor, BWV 1001 (Arr. for Guitar by Manuel Barrueco): III. Siciliana" by Johann Sebastian Bach, Georgi Dimitrov-Jojo was released on April 26, 2024. The duration of Violin Sonata No. 1 in G Minor, BWV 1001 (Arr. for Guitar by Manuel Barrueco): III. Siciliana is about 3 minutes long, at 3:05. Based on our data, "Violin Sonata No. 1 in G Minor, BWV 1001 (Arr. for Guitar by Manuel Barrueco): III. Siciliana" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Johann Sebastian Bach, Georgi Dimitrov-Jojo's "J.S. Bach: Transcriptions for Guitar" album is number 9 out of 14. On top of that, Hong Kong appears to be the country where this track was created. Violin Sonata No. 1 in G Minor, BWV 1001 (Arr. for Guitar by Manuel Barrueco): III. Siciliana is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Violin Sonata No. 1 in G Minor, BWV 1001 (Arr. for Guitar by Manuel Barrueco): III. Siciliana by Johann Sebastian Bach, Georgi Dimitrov-Jojo to be Adagio (slowly with great expression) because the track has a tempo of 68 テンポ, a half-time of 34テンポ, and a double-time of 136 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Danças populares brasileiras: VII. Frêvo (Isquenta ô pé) | Celso Machado, Guitar Trek | A Major | 4 | 11B | 141 BPM | ||
Caazapá (Aire Popular Paraguayo) | Agustín Barrios Mangoré, Anabel Montesinos | D Major | 1 | 10B | 91 BPM | ||
Lute Sonata in A Major (from Manoscritto di Dresda No. 17): I. Prelude | Silvius Leopold Weiss, Virginio Fadda | G Major | 1 | 9B | 87 BPM | ||
24 Leçons progressives, Op. 31 (Excerpts): No. 18 in B Minor | Fernando Sor, Tilman Hoppstock | B Minor | 2 | 10A | 79 BPM | ||
A Stroll to the Moon (Arr. O. Kalampalikis for Guitar) | Manos Hadjidakis, Elena Papandreou | G Minor | 2 | 6A | 83 BPM | ||
Chôros No. 1 | João Kouyoumdjian | E Minor | 1 | 9A | 95 BPM | ||
Sinfonia from Cantata 29 | Anabel Montesinos | D Major | 2 | 10B | 120 BPM | ||
Rochester Schottisch (Arr. J. Holland for Guitar) | W.H. Rulison, Christopher Mallett | D Major | 2 | 10B | 142 BPM | ||
Studio Op.48 N.23 - Allegro Con Moto | Mauro Giuliani, Lucio Matarazzo | B Minor | 2 | 10A | 130 BPM | ||
Blott en dag (arr. for Guitar by Mattias Schulstad) | Oscar Ahnfelt, Mattias Schulstad | A Minor | 1 | 8A | 110 BPM |