Jean-Philippe Rameau, Gustav Leonhardt's 'Rameau: Troisième livre de pièces de clavecin, Suite en la: Sarabande' came out on February 14, 2022. The duration of Rameau: Troisième livre de pièces de clavecin, Suite en la: Sarabande is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Rameau: Troisième livre de pièces de clavecin, Suite en la: Sarabande's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 19 in Couperin, Poglietti, Grigny & Rameau: キーboard Works by Gustav Leonhardt, François Couperin, Jean-Philippe Rameau. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Rameau: Troisième livre de pièces de clavecin, Suite en la: Sarabande is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rameau: Troisième livre de pièces de clavecin, Suite en la: Sarabande by Jean-Philippe Rameau, Gustav Leonhardt is Moderato (at a moderate speed), since this song has a tempo of 114 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dolly, Op. 56: 1. Berceuse | Gabriel Fauré, Katia Labèque, Marielle Labèque | E Major | 0 | 12B | 63 BPM | ||
Nocturne No. 5 in B Flat Major, H.37 | John Field, Elizabeth Joy Roe | B♭ Major | 0 | 6B | 65 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Suite in G minor: IV. Bourree II (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 114 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": III. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 2 | 11B | 120 BPM | ||
Piano Sonata No. 9 in F Minor: I. Andante spiritoso | Baldassare Galuppi, Víkingur Ólafsson | F Minor | 0 | 4A | 73 BPM | ||
Les Indes galantes, Deuxième Entrée, Scène 3 - Scène 4: "Elle est seule...parlons" (Phani, Huascar) | Jean-Philippe Rameau, Isabelle Poulenard, Bernard Deletré, Les Arts Florissants, William Christie | B Minor | 1 | 10A | 106 BPM | ||
Cello Concerto No. 3 in A Major, Wq. 172: III. Allegro assai | Carl Philipp Emanuel Bach, Daniel Müller-Schott, L'Arte del mondo, Werner Ehrhardt | E Major | 2 | 12B | 107 BPM | ||
Violin Concerto in D Major: II. Adagio | Joseph Bologne Saint-Georges, Zefira Valova, Il Pomo D'oro | E Major | 0 | 12B | 71 BPM | ||
Quatrième concert: III. La Rameau | Jean-Philippe Rameau, Víkingur Ólafsson | B♭ Major | 3 | 6B | 101 BPM |