On May 10, 2024, the song "Suite in G Minor, BWV 1008: VI. Gigue" was released by Johann Sebastian Bach, Dohyo Sol. The duration of Suite in G Minor, BWV 1008: VI. Gigue is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Suite in G Minor, BWV 1008: VI. Gigue's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Emelie Roos, Dohyo Sol's "Meetings with Bach" album is number 12 out of 15. On top of that, Sweden appears to be the country where this track was created. Based on our statistics, Suite in G Minor, BWV 1008: VI. Gigue's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Suite in G Minor, BWV 1008: VI. Gigue by Johann Sebastian Bach, Dohyo Sol to be Allegro (fast, quick, and bright) because the track has a tempo of 127 テンポ, a half-time of 64テンポ, and a double-time of 254 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata No. 17 for Three Cellos in G Minor: I. Adagio affettuoso | Ermenegildo Del Cinque, Ludovico Minasi, Cristina Vidoni, Teodoro Baù, Simone Vallerotonda, Andrea Buccarella | B Major | 2 | 1B | 98 BPM | ||
Gagliarda 12a | Giovanni Girolamo Kapsberger, Bor Zuljan | B♭ Minor | 1 | 3A | 75 BPM | ||
Sonata a Violoncello Solo G Major: Largo | Antonio Maria Bononcini, Michal Stahel, Martin Gedeon, Jan Cizmar, Soma Denyés | F♯ Major | 1 | 2B | 140 BPM | ||
Lady Hunsdon's Puffe, P. 54 | John Dowland, Bor Zuljan | F Minor | 1 | 4A | 95 BPM | ||
Fantasia-Suite in A Minor, VdGS group IV, No. 1: III. Courante | John Jenkins, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Suite in E Minor, BWV 996: V. Bourée | Johann Sebastian Bach, Evangelina Mascardi | B Minor | 2 | 10A | 175 BPM | ||
Impertinence - Arr. for Guitar by Peter Batchelar and Richard Wright | George Frideric Handel, Miloš Karadaglić | B Minor | 0 | 10A | 84 BPM | ||
Fantasia in G Minor, P. 7: 7 Fantasies: No. 7. A Fancy, P. 7 | John Dowland, Nigel North | F Minor | 1 | 4A | 68 BPM | ||
Concerto For 4 Harpsichords, Strings, And Continuo In A Minor, BWV 1065: 1. (Allegro) | Johann Sebastian Bach, Ton Koopman, Tini Mathot, Friederike Ernst, David Collyer, Amsterdam Baroque Orchestra | A♭ Minor | 5 | 1A | 98 BPM | ||
Robin | John Dowland, Nigel North | D♭ Minor | 0 | 12A | 125 BPM |