"La Rosa del Azafrán: "Sagrario"" by Coros Cantores De Madrid, Teresa Berganza was released on May 15, 2011. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists's "La Zarzuela: La Rosa del Azafrán" album is number 10 out of 14. La Rosa del Azafrán: "Sagrario" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Rosa del Azafrán: "Sagrario" by Coros Cantores De Madrid, Teresa Berganza to be Adagio (slowly with great expression) because the track has a tempo of 68 テンポ, a half-time of 34テンポ, and a double-time of 136 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Molinos de Viento: Dúo de Margarita y Romo | Coros Cantores De Madrid, Pilar Lorengar, Carlos Munguia | D Major | 2 | 10B | 77 BPM | ||
La gran via: Coro y mazurca de los marineritos | Ana Maria Iriarte, Ataúlfo Argenta, Coro Cantores de Madrid, José Perera, Orquesta de Cámara de Madrid, Toñy Rosado, Federico Chueca | F Major | 2 | 7B | 86 BPM | ||
Perjura | Nicolas Urcelay | G Minor | 1 | 6A | 100 BPM | ||
¡Tápame, Tápame! | Lilian De Celis | E♭ Major | 6 | 5B | 121 BPM | ||
El Gato Montés | Banda de Música De La Academia Auxiliar Militar, Ricardo Dorado | G Minor | 8 | 6A | 128 BPM | ||
Modistilla de la Florida | Lolita Sevilla | B Minor | 4 | 10A | 121 BPM | ||
La Marcha Radetzky | Gran Orquesta Vienesa | G Minor | 7 | 6A | 122 BPM | ||
La entrada (Pasodoble) | Real Orquesta Sinfónica de Sevilla, Spanish Folklore | G Minor | 4 | 6A | 118 BPM | ||
Parlami d'amore, Mariu (orch. L. Logi) | Cesare Andrea Bixio, L. Logi, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian | F Major | 1 | 7B | 67 BPM | ||
Las Golondrinas, Escena final, I parte: "¡Era mío!" | Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña, Carlo Galeffi | E♭ Major | 2 | 5B | 129 BPM |