"String Quartet No. 3 "Leaves from an Unwritten Diary"" by Krzysztof Penderecki, Meccore String Quartet was released on May 5, 2023. String Quartet No. 3 "Leaves from an Unwritten Diary" appears to be safe for all ages as it is not explicit. There are a total of 12 in the song's album "Penderecki: Clarinet & String Quartets & String Trio". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. String Quartet No. 3 "Leaves from an Unwritten Diary" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With String Quartet No. 3 "Leaves from an Unwritten Diary" by Krzysztof Penderecki, Meccore String Quartet having a テンポ of 64 with a half-time of 32 テンポ and a double-time of 128 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Il bell'Antonio, Tema III | Giovanni Sollima, Yo-Yo Ma, Kathryn Stott | C Minor | 1 | 5A | 88 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
3 Old Viennese Dances: No. 2, Liebesleid (Transcr. for Violin and Orchestra) | Fritz Kreisler, María Dueñas, Wiener Symphoniker, Manfred Honeck | G Major | 0 | 9B | 103 BPM | ||
Vaughan Williams: Job, a Masque for Dancing, Scene 9: Epilogue | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | G Minor | 0 | 6A | 99 BPM | ||
Love's Labour's Lost, Op. 28a: III. Dumaine's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | G Minor | 1 | 6A | 105 BPM | ||
Piano Concerto No. 1 in E Minor, Op. 11: II. Romanza: Larghetto | Frédéric Chopin, Szymon Nehring, Sinfonietta Cracovia, Krzysztof Penderecki | A♭ Major | 1 | 4B | 135 BPM | ||
Lux aeterna | György Ligeti, Schola Heidelberg, Walter Nußbaum | E♭ Major | 0 | 5B | 79 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 1, Adagio "Lovely on the Water" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E Minor | 0 | 9A | 69 BPM |