Bournemouth Symphony Orchestra, Seann Alderking's 'Prologue (Look Down) / At the End of the Day' came out on January 1, 1993. The duration of Prologue (Look Down) / At the End of the Day is about 3 minutes long, at 3:29. Based on our data, "Prologue (Look Down) / At the End of the Day" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "Symphonic Pieces from Les Misérables and Miss Saigon". In this album, this song's track order is #9. In terms of popularity, Prologue (Look Down) / At the End of the Day is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Prologue (Look Down) / At the End of the Day by Bournemouth Symphony Orchestra, Seann Alderking having a テンポ of 100 with a half-time of 50 テンポ and a double-time of 200 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concertino from "Eastern Promises": Eastern Promises | Howard Shore, Nicola Benedetti, Greg Knowles, Bournemouth Symphony Orchestra, Kirill Karabits | G Minor | 1 | 6A | 130 BPM | ||
Carmina Burana: O Fortuna | Carl Orff, Claire Rutter, Thomas Randle, Markus Eiche, Mary Denniss, Andrew Knights, Greg Beardsell, Bournemouth Symphony Chorus, Highcliffe Junior Choir, Bournemouth Symphony Youth Chorus, Bournemouth Symphony Orchestra, Marin Alsop | D Minor | 2 | 7A | 136 BPM | ||
Austenland Symphony: IV. Rondo | Ilan Eshkeri | G Major | 4 | 9B | 105 BPM | ||
Jojo's Theme | Michael Giacchino | A Minor | 1 | 8A | 109 BPM | ||
We Are All Connected | Hans Zimmer | C Major | 3 | 8B | 68 BPM | ||
Elizabeth - Original Motion Picture Soundtrack: Elizabeth: Overture | David Hirschfelder, David Hobson Chorale | B♭ Major | 3 | 6B | 80 BPM | ||
Herz und Mund und Tat und Leben, BWV 147: Chorale: Jesus bleibet meine Freude (Jesu, Joy of Man's Desiring) (arr. by L. Stokowski for orchestra) | Johann Sebastian Bach, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | G Major | 1 | 9B | 66 BPM | ||
Je me souviens de nous | Maxime Rodriguez, Ludivine Amado | C Minor | 5 | 5A | 107 BPM | ||
String Quartet in F Major, Op. 3, No. 5, Hob.III:17, "Serenade" (attrib. to Hoffstetter): II. Andante cantabile (arr. L. Stokowski for orchestra) | Franz Joseph Haydn, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 1 | 8B | 109 BPM | ||
Can't Slow Down - From "Pride & Prejudice" Soundtrack | Jean-Yves Thibaudet | G Major | 1 | 9B | 116 BPM |