"Herz und Mund und Tat und Leben, BWV 147: Chorale: Jesus bleibet meine Freude (Jesu, Joy of Man's Desiring) (arr. by L. Stokowski for orchestra)" by Johann Sebastian Bach, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier was released on January 27, 2009. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 17 in Bach Transcriptions, Vol. 2 by Leopold Stokowski, José Serebrier. Herz und Mund und Tat und Leben, BWV 147: Chorale: Jesus bleibet meine Freude (Jesu, Joy of Man's Desiring) (arr. by L. Stokowski for orchestra) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Herz und Mund und Tat und Leben, BWV 147: Chorale: Jesus bleibet meine Freude (Jesu, Joy of Man's Desiring) (arr. by L. Stokowski for orchestra) by Johann Sebastian Bach, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier is Larghetto (rather broadly), since this song has a tempo of 66 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Csardas (Arr. R. Pontinen and M. Frost) | Vittorio Monti, Martin Fröst, Roland Pöntinen | D Major | 2 | 10B | 98 BPM | ||
Prelude for Piano in B Minor, BWV 855a | Alexander Siloti, Johann Sebastian Bach, Nikolai Tokarev | B Minor | 0 | 10A | 92 BPM | ||
Gianni Schicchi: O mio babbino caro | Giacomo Puccini, Andre Kostelanetz, Andre Kostelanetz & His Orchestra, André Kostelanetz Orchestra | E Major | 2 | 12B | 91 BPM | ||
An der schönen, blauen Donau, Walzer, Op. 314 | Johann Strauss II, Daniel Barenboim, Wiener Philharmoniker | D Major | 1 | 10B | 95 BPM | ||
Bilder einer Ausstellung: Promenade | Modest Mussorgsky, Maurice Ravel, Ukraine National Symphony Orchestra, Theodore Kuchar | F♯ Major | 1 | 2B | 70 BPM | ||
Prélude à l'après-midi d'un faune, L. 86 | Claude Debussy, Cleveland Orchestra, Pierre Boulez | A♭ Minor | 0 | 1A | 75 BPM | ||
Bach, J.S.: Concerto for 2 Violins in D Minor, BWV 1043: II. Largo ma non tanto | Johann Sebastian Bach, Nigel Kennedy, Berliner Philharmoniker | F Major | 1 | 7B | 92 BPM | ||
Introit in F Major, Op. 6 | Gerald Finzi, Lesley Hatfield, Royal Northern Sinfonia, Howard Griffiths | D Minor | 1 | 7A | 85 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso | Ludwig van Beethoven, Murray Perahia, Bernard Haitink, Concertgebouworkest | B Major | 0 | 1B | 83 BPM | ||
Offenbach: Les Contes d'Hoffmann, Act IV: No. 13, Barcarolle, "Belle nuit, ô nuit d'amour" (Orchestral Version) | Jacques Offenbach, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | D Major | 1 | 10B | 88 BPM |