Georg Philipp Telemann, Frans Brüggen, Jaap Schröder, Anner Bylsma, Gustav Leonhardt's 'Telemann: Nouveaux quatuors "Paris Quartets", No. 1 in D Major, TWV 43:D3: V. Modérément' came out on January 1, 1964. The duration of Telemann: Nouveaux quatuors "Paris Quartets", No. 1 in D Major, TWV 43:D3: V. Modérément is about 3 minutes long, at 3:04. Based on our data, "Telemann: Nouveaux quatuors "Paris Quartets", No. 1 in D Major, TWV 43:D3: V. Modérément" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 38 in the song's album "Telemann: Paris Quartets". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. Telemann: Nouveaux quatuors "Paris Quartets", No. 1 in D Major, TWV 43:D3: V. Modérément is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Telemann: Nouveaux quatuors "Paris Quartets", No. 1 in D Major, TWV 43:D3: V. Modérément by Georg Philipp Telemann, Frans Brüggen, Jaap Schröder, Anner Bylsma, Gustav Leonhardt having a テンポ of 78 with a half-time of 39 テンポ and a double-time of 156 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in F, BuxWV 269: II. Solo- Allegro | Dietrich Buxtehude, La Rêveuse | E Major | 2 | 12B | 103 BPM | ||
Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM | ||
Concerto for 2 Flutes and Lute in E Minor, TWV 53:e2: I. [Largo] | Georg Philipp Telemann, Gunther Holler, Christoph Huntgeburth, Cappella Coloniensis, Hans-Martin Linde | A Major | 3 | 11B | 121 BPM | ||
Concerto No 5 in G minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | F♯ Minor | 3 | 11A | 140 BPM | ||
Simphonia V: Chaconne in D Major | Louis-Nicolas Clérambault, Fabio Bonizzoni, La Risonanza | D♭ Major | 1 | 3B | 121 BPM | ||
Bach, JC: Harpsichord Concerto No. 6 in F Minor, W. C73 (formerly attrib. W. F. Bach): II. Andante | Johann Christian Bach, Jean Rondeau, Sophie Gent, Louis Creac'h, Fanny Paccoud, Antoine Touche, Thomas de Pierrefeu, Evolène Kiener | B Minor | 1 | 10A | 74 BPM | ||
Sinfonia in A Major: III. Presto assai | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Major | 3 | 11B | 113 BPM | ||
Abdelazar Suite, Z. 570: III. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM | ||
Sinfonia in B mayor: 3. Presto | Georg Matthias Monn, Camerata Bern, Thomas Füri | F♯ Major | 2 | 2B | 138 BPM | ||
Concerto Grosso in C Minor, Op. 3, No. 11: III. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 120 BPM |