"Haydn : Stabat Mater Hob.XXbis : VIII Sancta Mater, istud agas [Soprano, Tenor]" by Franz Joseph Haydn, Nikolaus Harnoncourt, Concentus Musicus Wien was released on 2000. Haydn : Stabat Mater Hob.XXbis : VIII Sancta Mater, istud agas [Soprano, Tenor] is about six minutes long, preciously at 6:29, making this song fairly long compared to other songs. The track order of this song in Nikolaus Harnoncourt, Concentus Musicus Wien's "Haydn Edition Volume 5 - Masses, Stabat Mater, Seven Last Words" album is number 42 out of 69. Based on our statistics, Haydn : Stabat Mater Hob.XXbis : VIII Sancta Mater, istud agas [Soprano, Tenor]'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Haydn : Stabat Mater Hob.XXbis : VIII Sancta Mater, istud agas [Soprano, Tenor] by Franz Joseph Haydn, Nikolaus Harnoncourt, Concentus Musicus Wien to be Moderato (at a moderate speed) because the track has a tempo of 120 テンポ, a half-time of 60テンポ, and a double-time of 240 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Trio No. 1 in D Minor, Op. 49: III. Scherzo: Leggiero e vivace | Felix Mendelssohn, Yo-Yo Ma, Itzhak Perlman, Emanuel Ax | D Major | 1 | 10B | 148 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Kulka János | E♭ Major | 2 | 5B | 89 BPM | ||
Mass No. 10 in C Major, Hob. XXII:9, "Missa in tempore belli", "Paukenmesse", "Kriegsmesse": Gloria. Qui tollis peccata mundi | Joseph Haydn, Ann Hoyt, Kirsten Sollek, Daniel Neer, Richard Lippold, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick | D♭ Minor | 2 | 12A | 81 BPM | ||
Trio Sonata in G Major, BWV 1038: III. Adagio | Johann Sebastian Bach, Jean-Pierre Rampal, Isaac Stern, John Steele Ritter, Leslie Parnas | E Minor | 2 | 9A | 77 BPM | ||
Requiem in D minor, K.626: 6. Benedictus | Wolfgang Amadeus Mozart, Anne Sofie von Otter, Barbara Bonney, Hans Peter Blochwitz, Willard White, English Baroque Soloists, John Eliot Gardiner | B♭ Major | 1 | 6B | 90 BPM | ||
Der Fischer und das Milchmädchen: IXb. Andantino pastorale | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Flute Quintet No. 1 in D Major, Op. 17, G. 419: II. Minuetto: Amoroso | Luigi Boccherini, Alexandre Magnin, Janáček Quartet | D Major | 0 | 10B | 87 BPM | ||
Mozart: Requiem in D Minor, K. 626: I. Introitus | Nikolaus Harnoncourt, Vienna State Opera Chorus, Rachel Yakar | D Minor | 1 | 7A | 93 BPM | ||
String Quartet No. 4 in C Major, K. 157: I. Allegro | Eder Quartet | G Major | 0 | 9B | 130 BPM | ||
Pelléas et Mélisande, Op.80: Chanson de Mélisande | Gabriel Fauré, Lorraine Hunt, Boston Symphony Orchestra, Seiji Ozawa | B♭ Major | 0 | 6B | 87 BPM |